Lectures This Semester
G raph of Desire: A retrospective exhibition of paintings by Mira Gerard
September 27-November 12, 2018
Opening Reception: September 27, 4-7pm
Vanderbilt Divinity School G-20 (Arts Room)
I make paintings of the figure as a way to understand desire, which functions in my work in part as a fantasy about being both subject and maker. For several years when I was growing up, my family lived in a small intentional community in rural New Hampshire with no TVs and with limited access to experiences of mainstream American culture in the 70's. I became fascinated with fairies and fairy tales, along with the meadows, stone walls and woods around me. During that time, I was a frequent subject of my father's paintings- usually depicted playing in fields of flowers in sun-drenched afternoon landscapes.
Ten years ago I quite literally stumbled into Lacanian psychoanalysis. It's a practice of speaking freely and in a very nonlinear way, which parallels studio processes of sorting through fragments, pieces of images and ideas, to make something new that remembers (re-members). I create staged photographs and videos and supplement those with screenshots, art historical references, and collage. I am specifically interested in figures or elements in landscapes and spaces, and in the implication of a kind of storyboard, a before-to-after. Because the process of painting itself feels necessarily perfomative and vulnerable, I try to communicate this through both content and approach. I have embraced traditional, old master forms of construction, with a method in place for the breakdown of those processes to occur, so that the paintings themselves are like landscapes and bodies- a physical manifestation of interruptions, scars, layers, and time.
Mira Gerard’s creative practice spans painting, performance, and video. She received her BFA from Indiana University in Bloomington, Indiana and her MFA from the University of Georgia in Athens, Georgia. Her work has been exhibited at a wide range of venues. Her work was selected for New American Paintings #118 (Southeast Edition, 2015) and has been published in journals including Poets & Artists, The Cortland Review, and Manifest Painting International. She has presented papers and performance & video works on the intersection of art and psychoanalysis at conferences including the International Zizek Studies Conference, LACK, Psychology and the Other, and the Southeastern College Art Conference. She has been awarded fellowships for residencies at Ox-Bow School of Art, Cill Rialaig Project, The Hambidge Center, The Vermont Studio Center, and the Virginia Center for Creative Arts. Mira Gerard is Chair and Professor in the Department of Art & Design at East Tennessee State University in Johnson City, Tennessee where she has lived since 2001.
The Role of the Arts in Theological Education: A Round Table Conversation
Thursday, Oct. 30th - 4 PM - Room G-20
Panelists will be Heather Daugherty (Trevecca Univ.), Steven Guthrie (Belmont Univ.), Rocky Horton (Lipscomb Univ.), Robin Jensen(Vanderbilt Univ.), Robert MacSwain (Univ. of the South: Sewanee), Dave Perkins (Vanderbilt Divinity School), and Taylor Worley (Union Univ.).
Alicia Henry: A Work in Progress
Thursday, October 9, 2014; Noon - 1 PM in Room G-20
Gallery Talk for "Subjects With Objects" Exhibition
featuring Jonathan Richter and DKM
Wednesday September 10, 2014 - 12-1 PM @ Art Room (G-20)
"God-talk and Memoir Writing"
Tuesday, March 25th, 2014 - 3 PM - Art Room (G-20)
www.beccastevens.org www.iancron.com www.ashleycleveland.com www.philmadeira.net
A round table conversation on the craft of memoir writing from a theological perspective.
Rev. Becca Stevens (Snake Oil)
Rev. Ian Cron (Jesus, My Father, the CIA, and Me)
Ashley Cleveland (Little Black Sheep)
Phil Madeira (God on the Rocks)
Dave Perkins: Moderator
March 11 & 12, 2014
“Theology and the Most Intimate Heart:
Readings in Poetry and Memoir”
Tuesday, March 11th - 3:10 PM in the Art Room (G-20)
In conjunction with Dr. Perkins’ class "Creativity: A Theological Engagement," Bondi will read and comment on selections from her autobiographical writings as well as a yet to be published volume of poetry. She will speak to the idea of creative scholarship and recount her personal narrative of finding her place in relationship to Christianity and the academy.
"Imagine the World is a Circle:
Dorotheus of Gaza on God, Neighbor and Self"
Wednesday, March 12th – 1:10-3 PM - Room G-29
In conjunction with Dr. Michelson's seminar on "Desert Spirituality," Prof. Bondi will discuss her book To Pray and to Love and also the writings of Dorotheos of Gaza and Theodoret of Cyrrhus. She will discuss how these ancient monastic texts can still speak to the act of loving God and neighbor as self as well as the role of humility and pride in interpersonal relations.
(NY Times, Rolling Stone, Spin, Vibe, NPR)
The Holy or the Broken:
Leonard Cohen, Jeff Buckley & the Unlikely Ascent of
Tuesday 15, 2013 at 10 AM
Room G-20 – Vanderbilt Divinity
“A venerated creator (Cohen). An adored, tragic interpreter (Buckley). An uncomplicated, memorable melody. Ambiguous, evocative words. Faith and uncertainty. Pain and pleasure.”
Today, “Hallelujah” is one of the most-performed rock songs in history. It has become a staple of movies and television shows as diverse as Shrek and The West Wing, of tribute videos and telethons. It has been covered by hundreds of artists, including Bob Dylan, U2, Justin Timberlake, and k.d. lang, and it is played every year at countless events—both sacred and secular—around the world.
Yet when music legend Leonard Cohen first wrote and recorded “Hallelujah,” it was for an album rejected by his longtime record label. Ten years later, charismatic newcomer Jeff Buckley reimagined the song for his much-anticipated debut album, Grace. Three years after that, Buckley would be dead, his album largely unknown, and “Hallelujah” still unreleased as a single. After two such commercially disappointing outings, how did one obscure song become an international anthem for human triumph and tragedy, a song each successive generation seems to feel they have discovered and claimed as uniquely their own?
Through in-depth interviews with its interpreters and the key figures who were actually there for its original recordings, acclaimed music journalist Alan Light follows the improbable journey of “Hallelujah” straight to the heart of popular culture. The Holy or the Broken (Simon and Schuster) gives insight into how great songs come to be, how they come to be listened to, and how they can be forever reinterpreted.
"Thoughtful and illuminating... [Mr. Light] is a fine companion for this journey through one song’s changing fortunes." (The New York Times)
A Brilliantly revelatory...masterful work of critical journalism." (Kirkus Reviews)
View From A Small Boat
Tuesday, February 28th, 2011 - 10-11 AM - Divinity Art Room (G-20)
Religion in the Arts and Contemporary Culture is pleased to present View from a Small Boat with award-winning photographer and adventurer John Guider. Guider built a small motor-less boat, launched it into the Cumberland River close to his home, traveled to the Mississippi, to the Gulf of Mexico, across the Gulf to Key West, then up the entire East Coast of Florida. He will soon begin an arduous trip up the Atlantic coast to New York City. "My intention is to go out for at least two months every year until I have completed the circumnavigation known as the 'Great Loop'. Once I get to New York City, I will enter the Hudson and Erie Canal, make my way across the Great Lakes, down to Chicago, and back to the Mississippi, ending up in Cairo, Illinois where I first entered from the Ohio, Tennessee, and Cumberland Rivers. The total journey is over 6000 miles, I am a little more than halfway with at least three years to go." Guider will tell us about his several year journey, which is also a journey of the soul and spirit. He will feature his exquisite photographs showing the water and land from a point of view seldom seen. Like the abstractions of modernist photographers, Guider's emphasis on texture and ambiguous subject matter evokes his encounter with nature. His work shows us a world visible only at a slow river pace. "My images are meant to be an expression for what I was feeling rather than a response to what I was seeing. The realities that appear in my photographs are intended to act as vessels for the poetry that lies within me."
John Guider is a nationally recognized award winning photographer and author, and one of eleven finalists in The Most Beautiful Minds in America 2011. His work has appeared in major publications such as Print, Communication Arts and Graphis. He is the recipient of many awards including a national Addy Award, the American Cancer Society's Excalibur Award, and the Nashville Advertising Federation's highest award, the Silver Medalist, in the year 2000. His images and his adventures have been featured in numerous magazine, television, and newspaper articles and broadcasts.