Lesley Cobb and Erin O'neil, "Kidnapped" |
![]() Myia Coleman, Jarred Tanksley, and Lindsay Wilson, "Post-Modern Consumer Services" |
![]() Ashley Eaton and John Greer, "Rocker Arrested for Cyberrape" |
![]() Dan Green, "The Simulacrums" |
 | ![]() Jennifer Romans, "Victims of the Modern Age" (Powerpoint file) |
![]() Greg Glasheen, "Machine Madness" |
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Write a hypertext annotating the allusions to literature, history, and popular culture in one of the books or movies we have studied. This hypertext could by organized by chapter and contain both short and long entries explaining interesting references. It would obviously contain links to external sites that were devoted to relevant topics.
Make a short digital movie or a Flash presentation that illuminates one of the books, hypertexts, or movies we have studied.
Do a multimedia project in some other format.
If you are interested in pursuing one of these topics, or any other term-long project, please see me to discuss your plans.
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Choose one of the following topics:
1. Compare
Hiroshima mon amour (1959) with"Kokura" by Mary-Kim Arnold and Matthew Derby. Hiroshima mon amour was directed by Alain Resnais and written by Marguerite Duras.
2. Write a comparative analysis of scenes from two of the following movies. Your discussion should focus on a single motif, scene, character, or topic from each film and not attempt to cover the entire works. Be sure to discuss not only the content of the two scenes but the relevant formal techniques raised by your subject. Bring in perspectives from the reading wherever possible.
Suture (1993), directed by Scott McGehee and David Siegel
The Matrix (1999), directed by Andy Wachowski and Larry Wachowski
Being John Malcovitch (1999), directed by Spike Jonze
3. Discuss Don DeLillo's White Noise (1985) in relation to Jean Baudrillard.
4. Analyze the hypertext "Lasting Image" by Carolyn Guyer and Michael Joyce.
5. Compare Sandra Cisneros's Woman Hollering Creek (1991) with one of the following films:
Like Water for Chocolate (Como agua para chocolate) (1992), directed by Alfonso Arau and written by Laura Esquivel.
El Norte (1983), directed by Gregory Nava
A Very Old Man with Enormous Wings (Un Señor muy viejo con unas alas enormes) (1988), directed by Fernando Birri and written by Gabriel GarcÃa Márquez
Eréndira (1983), directed by Ruy Guerra and written byGabriel GarcÃa Márquez
La Bamba (1987), directed by Luis Valdez
Corpus (1999), directed by Lourdes Portillo (this video recording is available at the media center in the library)
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Choose one of the following topics:
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1. Write an analysis of a feature that interests you in Time Code. Your discussion should focus on a single motif, scene, character, or topic in the film and not attempt to cover the entire work. Be sure to discuss not only the content of the film but the relevant formal techniques raised by your subject. Bring in perspectives from the reading wherever possible.
2. Write a paper on any aspect of Plowing the Dark that interests you. Be sure to have a strong thesis about a clearly defined element of the novel. As in all essays, you should bring your own interests to the discussion and not simply revisit passages or ideas that we discussed in class.
3. Compare the treatment of Hagia Sophia in Plowing the Dark with the poem by George Bradley, "An Arrangement of Sunlight at Hagia Sophia" (a copy is available in the Files section of our course page on Prometheus).
4. Examine the use of Walter Benjamin's passage on the Angel of History (Thesis IX in "Theses on the Philosophy of History") and Paul Klee's painting Angelus Novus in Plowing the Dark.
5. Compare the use of historical events as a background in Jazz and Damascus Gate.
6. Discuss the treatment of the journalist in Damascus Gate and one of the following movies: The Year of Living Danerously (1982) or Under Fire (1983).
7. Compare the attitude toward traumatic violence in Middle Passage and The Shawl.
8. Use the reading from Jameson to discuss Middle Passage and Kokura. Consider whether or not Jameson's conception of postmodernism applies to either or both of these texts.
9. Compare the handling of some theme or issue of cinematic technique in Suture and Memento.
10. Compare the use of music in Jazz with the use of art in Plowing the Dark
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