Overview

This course in contemporary literary theory introduces some the principal methods of current criticism, ranging from deconstruction to psychoanalysis, from performance theory to gender and cultural studies. Critical works will be placed in the context of postmodern culture, and hypertext theory, and cyberspace. Ridley Scott's film Blade Runner and Shelley Jackson's Patchwork Girl, a hypertext reworking of the Frankenstein story, will serve as reference points for the exploration of theoretical issues.

Readings will include representative works by Louis Althusser, Lauren Berlant, Roland Barthes, Judith Butler, Helene Cixous, Jacques Derrida, Michel Foucault, Paul Gilroy, Donna Haraway, Fredric Jameson, Jacques Lacan, Ferdinand de Saussure, Patricia Williams, Slavoj Zizek, and others.


Schedule

Week 1 (August 31) - Background: From Structuralism to Poststructuralism

 

Week 2 (Sept. 7) - The Poststructuralist Controversy

 

Week 3 (Sept. 14) - Autobiography, Voice, Politics

 

Week 4 (Sept. 21) - Postmodern Theory (Beta Version)

 

Week 5 (Sept. 28) - Poststructuralism and Hypertext

 

Week 6 (Oct. 5) - Hypertext Critical Fictions

 

Week 7 (Oct. 12) - Bodies

 

Week 8 (Oct. 19) - The Other Psychoanalysis

 

Week 9 (Oct. 26) - Queer Performativity

 

Week 10 (Nov. 2) - Psychoanalysis and Marxism

 

Week 11 (Nov. 9) - Race and Nationality

 

Week 12 (Nov. 16) - Gender and Nationality

 

(Thanksgiving Break - November 21-29)

 

Week 13 (Nov. 30) - Theory on the Web

 

Week 14 (Dec. 7) - Web Theory