<h1 align="CENTER"><font color="#800000">The Victorian Novel, 1851-1867</font></h1> <h1 align="CENTER"><font color="#800000">Exhibitionism to Reform</font></h1> <p> </p><hr width="100%"> <h3 align="CENTER"><font color="#800000">Jay Clayton<br> Department of English<br> Vanderbilt University<br> Nashville, TN 37235<br> <a href="mailto:claytojb@ctrvax.vanderbilt.edu">claytojb@ctrvax.vanderbilt.edu</a></font></h3> <p> </p><hr width="100%"> <h3 align="CENTER"><font size="+1"><a href="http://www.vanderbilt.edu/AnS/english/Clayton/318reading.htm">Reading</a>   <a href="http://www.vanderbilt.edu/AnS/english/Clayton/318biblio.htm">Bibliography</a>   <a href="http://www.vanderbilt.edu/AnS/english/Clayton/318requirements.htm">Requirements</a>   <a href="http://www.vanderbilt.edu/AnS/english/Clayton/318visual.htm">Visual Materials</a>   <a href="news:vu.english.eng318.s01">Newsgroup</a></font></h3> <p> </p><hr width="100%"> <h2><img src="bulletrd.gif" height="15" width="15"><font color="#002000"> </font><font color="#800000">Overview</font></h2> <ul> <p><font size="+1">The years from the Great Exhibition (1851) to the Second Reform Bill (1867) were a period of enormous vitality in the English novel. Major works by Dickens, Thackeray, Charlotte Bronte, Trollope, George Eliot, Gaskell, and others capitalized on the burgeoning of serial publication and circulating libraries; on unprecedented growth of consumer capitalism at home and imperial dominance abroad; on worshipful audiences ranging from distinguished literary critics, to eminent leaders of society and politics, to vast numbers of middle and lower class readers. The result was a novel of confident power and narrative scope. By focusing on this period, we are able to survey many of the major authors of Victorian fiction while attending closely to a specific set of historical developments, class relations, and gender issues.</font></p> </ul> <p> </p><hr width="100%"> <h2><img src="bulletrd.gif" height="15" width="15"><font color="#002000"> </font><font color="#800000">Reading</font></h2> <ul> <p><font size="+1">We will read eight representative works of fiction: Dickens's <i>Bleak House</i> (1852-53); Thackeray's<i> Henry Esmond</i> (1852); Charlotte Bronte's <i>Villette</i> (1853); Gaskell's <i>North and South</i> (1854-55); Collins's <i>The Woman in White</i> (1860); Braddon's <i>Lady Audley's Secret</i> (1862); George Eliot's <i>Felix Holt, The Radical</i> (1866); and Trollope's <i>The Last Chronicle of Barset</i> (1866-67).  These texts include industrial novels, sensation fiction, multiplot novels, fictional autobiographies, historical fiction, and mysteries, demonstrating the enormous formal variety hidden under the deceptive phrase &quot;nineteenth-century realism.&quot;  In addition, students will present two oral reports, one on a major critical book treating the fiction of this period, another on an important intellectual document--e.g., Marx's <i>The Eighteenth Brumaire of Louis Bonaparte</i> (1852), Darwin's <i>The Origin of Species</i> (1859), Smiles's <i>Self-Help</i> (1859), Mayhew's <i>London Labour and the London Poor</i> (1861), Mill's <i>Utilitarianism</i> (1862), or Bagehot's <i>The English Constitution</i> (1867).</font></p> </ul> <center><p><font color="#000000">  <a href="318reading.htm"><img src="books.gif" border="0" height="42" width="44"></a></font> Go to Required <font color="#000000">Reading</font></p></center> <p> </p><hr width="100%"> <h2><a name="318calendar"></a><img src="bulletrd.gif" height="15" width="15"><font color="#002000"> </font><font color="#800000">Course Calendar</font></h2> <p><br> <font size="+1">Week 1 - (Tuesday, Jan 14, 1997):  The Great Exhibition of 1851</font></p> <center><table width="50%"> <tr> <td><font color="#800000">&quot;1851 was a year of such excitement that many young Victorians looked back on it with nostalgia for the rest of their lives, and many old Georgians regarded it as the climax of English history&quot; (<a href="318epigraphs.htm#briggs2">Asa Briggs</a>).</font></td> </tr> </table></center> <ul> <li><font size="+1">Reading</font></li> <ul> <li><font size="+1">Charles Dickens, &quot;The Great Exhibition and the Little One&quot; <i>Household Words</i> (1851) </font>- (Graduate Division, 312 Benson)</li> <li><font size="+1">Karl Marx, &quot;The Fetishism of Commodities and the Secret Thereof,&quot; from <i>Capital</i>, vol. 1 (1867) </font>- (Graduate Division, 312 Benson) </li> <li><font size="+1">Susan Buck-Morss, excerpts from <i>The Dialectics of Seeing: Walter Benjamin and the Arcades Project</i> </font>- (Graduate Division, 312 Benson)</li> <li><font size="+1">Tony Bennett, &quot;The Exhibitionary Complex&quot;<i> </i></font>- (Graduate Division, 312 Benson)</li> <li><font size="+1">Thomas Richards, &quot;The Great Exhibition of Things,&quot; ch. 1 of <i>The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914 </i></font>- (Graduate Division, 312 Benson)</li> </ul> <li><font size="+1">Recommended Reading</font></li> <ul> <li><font size="+1">Asa Briggs, &quot;The Crystal Palace and the Men of 1851,&quot; <i>Victorian People</i></font></li> <li><font size="+1">Andrew Miller, &quot;Spaces of Exchange: Interpreting the Great Exhibition of 1851,&quot; ch. 2 of <i>Novels Behind Glass: Commodity, Culture, and Victorian Narrative</i> (1995)</font></li> </ul> </ul> <center><table width="50%"> <tr align="CENTER" valign="CENTER"> <td align="CENTER" valign="CENTER"> <center><p><a href="318visual.htm"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/askate.gif" vspace="2" border="0" height="50" width="50"></a><br> <a href="318visual">Visual Materials: Great Exhibition</a></p></center> </td> <td><font size="+1"> <a href="news:vu.english.eng318.s01"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/modem1.gif" border="0" height="50" width="70"></a> <br> </font><a href="news:vu.english.eng318.s01">News: Laura Patterson</a></td> </tr> </table></center> <p> </p><hr width="100%"> <p><font size="+1">Week 2 - (Tuesday, Jan. 21, 1997): Dickens, <i>Bleak House,</i> Parts I-IX </font></p> <center><table width="50%"> <tr> <td><font color="#800000">&quot;God send that we all meet in 1851 under the shadow of some huge, newly-invented machine. I mean to exhibit four three-volume novels--all failures--which I look upon as a great proof of industry.&quot; (<a href="318epigraphs.htm#trollope">Anthony Trollope</a>)</font></td> </tr> </table></center> <ul> <li><font size="+1">Secondary reading</font></li> <ul> <li><font size="+1">Jennifer Wicke, &quot;The Dickens Advertiser,&quot; in <i>Advertising Fictions </i></font>(Benson 312 and Reserve Room)</li> </ul> <li><font size="+1">Electronic versions of <i>Bleak House</i> </font></li> <ul> <li><font size="+1">E-texts </font>(none available)</li> <li><font size="+1">Annotated <a href="http://athena.english.vt.edu/LIT/dickens/wrapper.html">hypertext</a> </font>(Under construction in Virginia Tech online course, &quot;<i>Bleak House</i> and London&quot;) </li> </ul> <li><font size="+1">Resources on the Web </font>(For general Victorian sites, see the course Bibliography page)</li> <ul> <li><font size="+1"><a href="http://lang.nagoya-u.ac.jp/~matsuoka/Dickens.html">The Dickens Page</a> </font>(Comprehensive site - maintained by Mitsuharu Matsuoka, Nagoya University, Japan.)</li> <li><font size="+1"><a href="http://humwww.ucsc.edu/dickens/index.html">The Dickens Project</a> </font></li> <li><font size="+1"><a href="http://www.stg.brown.edu/projects/hypertext/landow/victorian/dickens/dickensov.html">Dickens on the Victorian Web</a> </font>(The Dickens Page of George Landow's site at Brown)<font size="+1"> </font></li> <li><font size="+1">Critical articles on <i>Bleak House</i> </font></li> <ul> <li><font size="+1">Allan Pritchard, <a href="http://sunsite.Berkeley.EDU:8080/scan/ncl-e/454/articles/pritchard.art454.html">&quot;The Urban Gothic of <i>Bleak House</i>&quot;</a> </font>(complete text - <i>NCL</i>, March 1991)<font size="+1"> </font></li> <li><font size="+1">Robert Newsom, <a href="http://sunsite.Berkeley.EDU:8080/scan/ncl-e/461/articles/newsom.art461.html">&quot;<i>Villette </i>and <i>Bleak House</i>: Authorizing Women&quot;</a> </font>(complete text - <i>NCL</i>, June 1991) </li> <li><font size="+1">Dona Budd, <a href="http://sunsite.Berkeley.EDU:8080/scan/ncl-e/492/articles/budd.art492.html">&quot;Language Couples in <i>Bleak House</i>&quot;</a> </font>(complete text - <i>NCL</i>, September 1994) </li> <li><font size="+1">Peter Thomas, <a href="http://sunsite.Berkeley.EDU:8080/scan/ncl-e/502/articles/thoms.art502.html">&quot;'The Narrow Track of Blood': Detection and Storytelling in <i>Bleak House</i>&quot;</a> </font>(complete text - <i>NCL</i>, September 1995) </li> </ul> </ul> </ul> <center><table cellpadding="5" width="50%"> <tr align="CENTER" valign="CENTER"> <td><a href="318biblio.htm#8contents"><img src="file:///C|/Network/Netscape/Program/Program/Mypages/filecab.gif" border="0" height="50" width="50"></a><br> <a href="318biblio.htm#8contents">Dickens Bibliography</a></td> <td> <center><p><font size="+1"> <a href="news:vu.english.eng318.s01"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/modem1.gif" border="0" height="50" width="70"></a> <br> </font><a href="news:vu.english.eng318.s01">News: Kurt Koenigsberger</a></p></center> </td> </tr> </table></center> <p> </p><hr width="100%"> <p><a name="318calendar"></a><font size="+1">Week 3 - (Tuesday, Jan. 28, 1997): Dickens, <i>Bleak House,</i> Parts X-XIX</font></p> <center><table width="50%"> <tr> <td><font color="#800000">&quot;I have always had an instinctive feeling against the Exhibition, of a faint inexplicable sort.&quot;  (<a href="318epigraphs.htm#dickens">Charles Dickens</a>)</font></td> </tr> </table></center> <ul> <li><font size="+1">Secondary reading </font></li> <ul> <li><font size="+1">D. A. Miller, &quot;Discipline in Different Voices: Bureaucracy, Police, Family, and <i>Bleak House</i>,&quot; in <i>The Novel and the Police</i> </font>(Reserve Room) </li> </ul> <li><font size="+1">Oral Report: Lisa Barnes on Amanda Anderson, <i>Tainted Souls and Painted Faces: the Rhetoric of Fallenness in Victorian Culture</i> (1993)</font></li> </ul> <center><table cellpadding="5" width="50%"> <tr align="CENTER" valign="CENTER"> <td><a href="318visual.htm"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/askate.gif" vspace="2" border="0" height="50" width="50"></a><br> <a href="318visual">Visual Materials: Bleak House</a></td> <td><font size="+1"> <a href="news:vu.english.eng318.s01"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/modem1.gif" border="0" height="50" width="70"></a> <br> </font><a href="news:vu.english.eng318.s01">News: Monika Schramm</a></td> </tr> </table></center> <p> </p><hr width="100%"> <p><font size="+1">Week 4 - (Tuesday, Feb. 4, 1997): Thackeray, <i>Henry Esmond</i> </font></p> <ul> <li><font size="+1">Secondary reading </font></li> <li><font size="+1">Oral Report: Laura Patterson on Judith R. Walkowitz, <i>City of Dreadful Night: Narratives of Sexual Danger in Late-Victorian London</i> (1992)</font></li> <li><font size="+1">Electronic versions of <i>Henry Esmond</i> </font></li> <ul> <li><font size="+1">E-text </font>(none available)</li> </ul> <li><font size="+1">Resources on the Web</font></li> <ul> <li><font size="+1">Critical articles on Thackeray </font>(complete texts)</li> <ul> <li><font size="+1">Gary R. Dyer, <a href="http://sunsite.Berkeley.EDU:8080/scan/ncl-e/462/articles/dyer.art462.html">&quot;The 'Vanity Fair' of Nineteenth-Century England: Commerce, Women, and the East in the Ladies' Bazaar&quot;</a> </font>(complete text - <i>NCL</i>)</li> <li><font size="+1">Laura Fasick, <a href="http://sunsite.Berkeley.EDU:8080/scan/ncl-e/471/articles/fasick.art471.html">&quot;Thackeray's Treatment of Writing and Painting&quot;</a> </font>(complete text - <i>NCL</i>)</li> </ul> </ul> </ul> <center><table cellpadding="5" width="50%"> <tr align="CENTER" valign="CENTER"> <td><a href="318biblio.htm#11contents"><img src="file:///C|/Network/Netscape/Program/Program/Mypages/filecab.gif" border="0" height="50" width="50"></a><br> <a href="318biblio.htm#11contents">Thackeray Bibliography</a></td> <td> <center><p><font size="+1"> <a href="news:vu.english.eng318.s01"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/modem1.gif" border="0" height="50" width="70"></a><br> </font><a href="news:vu.english.eng318.s01">News: Christopher Lamping</a></p></center> </td> </tr> </table></center> <p> </p><hr width="100%"> <p><font size="+1">Week 5 - (Tuesday, Feb. 11, 1997): Thackeray and the Mid-Victorian Literary World</font></p> <ul> <li><font size="+1">Reading </font></li> <ul> <li><font size="+1">Feltes, &quot;Equipoise and the Three-Decker: The Production of <i>Henry Esmond</i>,&quot; ch. 2 of <i>Modes of Production of Victorian Novels </i></font>- (Reserve room)</li> </ul> <li><font size="+1">Oral Report: Julie Schuetz on Nancy Armstrong, <i>Desire and Domestic Fiction: A Political History of the Novel</i> (1987)</font></li> <li><font size="+1">Recommended reading</font></li> <ul> <li><font size="+1">Eve Sedgwick, &quot;<i>Adam Bede</i> and <i>Henry Esmond</i>: Homosocial Desire and the Historicity of the Female,&quot; ch. 8 of <i>Between Men</i> </font></li> </ul> </ul> <center><p><a href="news:vu.english.eng318.s01"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/modem1.gif" border="0" height="50" width="70"></a><font size="+1"> </font><a href="news:vu.english.eng318.s01">News: Paige Davis</a></p></center> <p> </p><hr width="100%"> <p><font size="+1">Week 6 - (Tuesday, Feb. 18, 1997): Charlotte Brontë, <i>Villette</i> </font></p> <ul> <li><font size="+1">Secondary reading </font></li> <li><font size="+1">Oral Report: Lara Newborn </font></li> <li><font size="+1">Electronic versions of <i>Villette</i> </font></li> <ul> <li><font size="+1">E-text </font>(none available)</li> </ul> <li><font size="+1">Resources on the Web</font></li> </ul> <center><table cellpadding="5" width="50%"> <tr align="CENTER" valign="CENTER"> <td><a href="318biblio.htm#6contents"><img src="file:///C|/Network/Netscape/Program/Program/Mypages/filecab.gif" border="0" height="50" width="50"></a><br> <a href="318biblio.htm#6contents">Brontë Bibliography</a></td> <td><a href="news:vu.english.eng318.s01"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/modem1.gif" border="0" height="50" width="70"></a><br> <a href="news:vu.english.eng318.s01">News: Julie Schuetz</a></td> </tr> </table></center> <p> </p><hr width="100%"> <p><font size="+1">Week 7 - (Tuesday, Feb. 25, 1997): <i>Villette</i> and Victorian Sexuality</font></p> <ul> <li><font size="+1">Reading </font></li> <ul> <li><font size="+1">Gay </font></li> <li><font size="+1">Mason </font></li> </ul> <li><font size="+1">Oral Report: Kurt Koenigsberger on Harriet Martineau, <i>British Rule in India: A Historical Sketch</i> (1857)</font></li> <li><font size="+1">Resources on the Web </font></li> <ul> <li><font size="+1">Deborah Epstein Nord, <a href="http://sunsite.Berkeley.EDU:8080/scan/ncl-e/463/articles/nord.art463.html">&quot;The Urban Peripatetic: Spectator, Streetwalker, Woman Writer&quot;</a> </font>(complete text - <i>NCL</i>)</li> </ul> </ul> <center><p><a href="news:vu.english.eng318.s01"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/modem1.gif" border="0" height="50" width="70"></a><font size="+1"> </font><a href="news:vu.english.eng318.s01">News: Lara Newborn</a></p></center> <p> </p><hr width="100%"> <p><font size="+1">Spring Break (March 1-9, 1997)</font></p> <p> </p><hr width="100%"> <p><font size="+1">Week 8 - (Tuesday, Mar. 11, 1997): Gaskell, <i>North and South</i>.  First version of research paper due. </font></p> <ul> <li><font size="+1">Secondary reading</font></li> <ul> <li><font size="+1">Hilary M. Schor, &quot;<i>North and South</i>, Marriage, and the Romance of a Common Language,&quot; ch. 4 of <i>Scheherezade in the Marketplace</i> </font>(Reserve room)</li> </ul> <li><font size="+1">Oral Report: Kin Cosner on Karl Marx, <i>The Eighteenth Brumaire of Louis Bonaparte</i> (1852)</font></li> <li><font size="+1">Recommended reading </font></li> <ul> <li><font size="+1">Deirdre David, <i>Fictions of Resolution in Three Victorian Novels: North and South, Our Mutual Friend, Daniel Deronda</i></font></li> <li><font size="+1">Catherine Gallagher, &quot;Family and Society in <i>Hard Times</i> and <i>North and South,</i>&quot; ch. 7 of <i>The Industrial Reformation of English Fiction </i></font>(Reserve Room)</li> <li><font size="+1">Judith Lowder Newton, ch. on <i>North and South</i> in <i>Women, Power and Subversion: Social Strategies in British Fiction, 1778-1860</i></font></li> <li><font size="+1">Raymond Williams, <i>Culture and Society</i>, pp. 87-109</font></li> </ul> <li><font size="+1">Electronic versions of <i>North and South</i> </font></li> <ul> <li><font size="+1"><a href="http://lang.nagoya-u.ac.jp/~matsuoka/EG-N&amp;S-1.html">E-text</a> </font>(Maintained by Mitsuharu Matsuoka, Nagoya University, Japan.) </li> </ul> <li><font size="+1">Resources on the Web</font></li> <ul> <li><font size="+1">Critical articles on <i>North and South</i> </font>(complete texts)</li> <ul> <li><font size="+1">Dorice Williams Elliott, <a href="http://sunsite.Berkeley.EDU:8080/scan/ncl-e/491/articles/elliott.art491.html">&quot;The Female Visitor and the Marriage of Classes in Gaskell's <i>North and South</i>&quot;</a> </font>(complete text - <i>NCL</i>)<font size="+1"> </font></li> </ul> </ul> </ul> <center><table cellpadding="5" width="50%"> <tr align="CENTER" valign="CENTER"> <td><a href="318biblio.htm#10contents"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/filecab.gif" border="0" height="50" width="50"></a><br> <a href="318biblio.htm#10contents">Gaskell Bibliography</a></td> <td><a href="news:vu.english.eng318.s01"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/modem1.gif" border="0" height="50" width="70"></a><br> <a href="news:vu.english.eng318.s01">News: Kin Cosner</a></td> </tr> </table></center> <p> </p><hr width="100%"> <p><font size="+1">Week 9 - (Tuesday, Mar. 18, 1997): George Eliot, <i>Felix Holt </i></font></p> <ul> <li><font size="+1">Recommended reading </font></li> <ul> <li><font size="+1">Catherine Gallagher, &quot;The Politics of Culture and the Debate over Representation in the 1860s,&quot; ch. 9 <i>The Industrial Reformation of English Fiction </i></font>(Reserve Room)</li> </ul> <li><font size="+1">Oral Report: Monika Schramm on Charles Darwin, <i>The Origin of Species</i> (1859)</font></li> <li><font size="+1">Electronic versions of <i>Felix Holt</i> </font></li> <ul> <li><font size="+1"><a href="http://www.princeton.edu/~batke/eliot/holt/">E-text</a> </font>(Constructed by Peter Batke, Princeton University)</li> </ul> <li><font size="+1">Resources on the Web</font></li> </ul> <center><table cellpadding="5" width="50%"> <tr align="CENTER" valign="CENTER"> <td><a href="318biblio.htm#9contents"><img src="file:///C|/Network/Netscape/Program/Program/Mypages/filecab.gif" border="0" height="50" width="50"></a><br> <a href="318biblio.htm#9contents">George Eliot Bibliography</a></td> <td><a href="news:vu.english.eng318.s01"><img src="http://www.vanderbilt.edu/AnS/english/Clayton/modem1.gif" border="0" height="50" width="70"></a><br> <a href="news:vu.english.eng318.s01">News: Lisa Barnes</a></td> </tr> </table></center> <p> </p><hr width="100%"> <p><font size="+1">Week 10 - (Tuesday, Mar. 25, 1997): Gaskell, George Eliot, and the Industrial Novel </font></p> <ul> <li><font size="+1">Reading </font></li> <li><font size="+1">Oral Report: Paige Davis</font></li> </ul> <p> </p><hr width="100%"> <p><font size="+1">Week 11 - (Tuesday, Apr. 1, 1997): Collins, <i>The Woman in White</i> </font></p> <ul> <li><font size="+1">Secondary reading </font></li> <ul> <li><font size="+1">D. A. Miller, &quot;Cage aux folles: Sensation and Gender in Wilkie Collin's <i>The Woman in White</i>,&quot; in <i>The Novel and the Police</i> </font>(Reserve Room)</li> </ul> <li><font size="+1">Oral Report: Christopher Lamping</font></li> <li><font size="+1">Electronic versions of <i>The Woman in White</i> </font></li> <ul> <li><font size="+1"><a href="http://etext.lib.virginia.edu/etcbin/browse-mixed-new?id=ColWoma&amp;tag=public&amp;images=images/modeng&amp;data=/texts/english/modeng/parsed">E-text</a> </font>(Electronic Text Center, University of Virginia - <font color="#000000">Recommended</font>) </li> <li><font size="+1"><a href="http://www.bibliomania.com/Fiction/collins/WomanInWhite/index.html">E-text</a></font> (Bibliomania)<font size="+1"> </font></li> <li><font size="+1"><a href="http://www.ualberta.ca/~amactavi/ww-head.htm">E-text</a> </font>(Victorian Sensationalism Online - divided into the serial parts [under construction])</li> </ul> <li><font size="+1">Resources on the Web </font></li> <ul> <li><font size="+1"><a href="http://www.ualberta.ca/~amactavi/sens1.htm">Victorian Sensationalism Online</a> </font>(Maintained by Andrew.Mactavish, University of Alberta.) </li> <li><font size="+1"><a href="http://members.gnn.com/MGrost/sensatio.htm">British Sensation Fiction</a> </font>(Web-based hypertext on the connection between sensation fiction and the mystery novel. Maintained by Michael E. Grost, &quot;a mystery fan who lives near Detroit, Michigan&quot;)</li> </ul> </ul> <center><p><a href="318biblio.htm#7contents"><img src="filecab.gif" border="0" height="62" width="64"></a> <a href="318biblio.htm#7contents">Collins Bibliography</a> </p></center> <p> </p><hr width="100%"> <p><font size="+1">Week 12 - (Tuesday, Apr. 8, 1997): Braddon, <i>Lady Audley's Secret</i> </font></p> <ul> <li><font size="+1">Secondary reading </font></li> <li><font size="+1">Electronic versions of <i>Lady Audley's Secret</i> </font></li> <ul> <li><font size="+1"><a href="http://www.ualberta.ca/~amactavi/las-head.htm">E-text</a> </font>(Victorian Sensationalism Online - divided into the serial parts[under construction])</li> </ul> <li><font size="+1">Resources on the Web </font></li> <ul> <li><font size="+1"><a href="http://www.ualberta.ca/~amactavi/sens1.htm">Victorian Sensationalism Online</a> </font>(Maintained by Andrew Mactavish, University of Alberta.) </li> </ul> </ul> <center><p><a href="318biblio.htm#5contents"><img src="filecab.gif" border="0" height="50" width="50"></a> <a href="318biblio.htm#5contents">Braddon Bibliography</a><font size="+1"> </font></p></center> <p> </p><hr width="100%"> <p><font size="+1">Week 13 - (Tuesday, Apr. 15, 1997): Trollope, <i>The Last Chronicle of Barset,</i> vol. I</font></p> <ul> <li><font size="+1">Secondary reading </font></li> <li><font size="+1">Electronic versions of <i>The Last Chronicle of Barset</i> </font></li> <ul> <li><font size="+1">E-text </font>(none available)</li> </ul> <li><font size="+1">Resources on the Web</font></li> </ul> <center><p><a href="318biblio.htm#12contents"><img src="filecab.gif" border="0" height="50" width="50"></a> <a href="318biblio.htm#12contents">Trollope Bibliography</a><font size="+1"> </font></p></center> <p> </p><hr width="100%"> <p><font size="+1">Week 14 - (Tuesday, Apr. 22, 1997): Trollope, <i>The Last Chronicle of Barset,</i> vol. II</font></p> <ul> <li><font size="+1">Secondary Reading</font></li> </ul> <p> </p><hr width="100%"> <p><font size="+1">Revised paper due: Tuesday, April 29, 4:00 p.m.</font></p> <p> </p><hr width="100%">