ARQUITECTONICA DE VOCES por  Profesor Christina Karageorgou-Bastea ofrece un análisis de Poema del cante jondo que aspira, en principio, a influir sobre la manera como se piensa en la poesía de Federico García Lorca, y más ampliamente en la lírica, partiendo de las relaciones que el poeta establece con la pintura, la música, el teatro, el baile y la memoria cultural de su mundo. El libro juvenil de Lorca se orquesta sobre el encuentro de una multiplicidad de sujetos que articulan sus versos en armonía, contrapunto, disonancia; desde derroteros geográficos y culturales no por contiguos menos conflictivos.
Los acentos que construyen el espacio y la memoria del nómada y el sedentario, de la mujer y del fantasma histórico que la ensombrece, proliferan no sólo de sección en sección, sino en los escasos versos de un solo poema. La difícil convivencia de sujetos y la hibridación de estrategias expresivas exigen repensar la soberanía del yo y la uniformidad de su palabra poética. Con sus hablantes multitudinarios, su material visual, su música, baile, y actos dramáticos, Poema de cante jondo revela los límites de la tradición estética romántico-simbolista y obliga a una aproximación teórica nueva al género poético desde las vanguardias. El propósito de este ensayo es crear y poner en práctica un acercamiento nuevo al género poético así como lo exige García Lorca desde su escritura prima.

Colonialidad y crítica en América Latina. Bases para un debate. Carlos A. Jáuregui and Mabel Moraña, Eds. Puebla, México: Universidad de las Américas, Puebla--UDLA, Colección: Pensamiento Latinoamericano 2007. 565 pages. ISBN 978-968-6254-96-9

(Post)colonialismo y cultura en América latina. Alcances teoricos: - Peter Hulme “La teoría poscolonial y la representación de la cultura en las Américas”; - Santiago Castro-Gómez “La (pos)colonialidad explicada a los niños. Perspectivas latinoamericanas sobre modernidad, colonialidad y geopolíticas del conocimiento”; - Enrique Dussel “La ‘filosofía de la liberación’ ante el debate de la postmodernidad y los estudios latinoamericanos”; - Eduardo Mendieta “El Mapa sin Territorio: El Espacio de la Teoría”; - Amaryll Chanady, “El debate del poscolonialismo latinoamericano en un contexto comparativo.”

Relatos, Fracturas, Resistencias: - Gordon Brotherston “América y la cuestión del colonizador: dos enunciados formativos de México antiguo”; - David M. Solodkow “Múltiples versiones de una ‘misma’ travesía: el segundo viaje de Cristóbal Colón”; - Carlos A. Jáuregui “Ñam-ñam. Conjura gótica, terror e insurgencia contracolonial.”

Etnicidad, Modernidad y Globalización: - Aníbal Quijano “El ‘movimiento indígena’, la democracia y las cuestiones pendientes en América Latina”; - Sara Castro Klaren “Trans-posiciones. La escritura en los Andes y las paradojas del debate postcolonial”; - Mario Roberto Morales “Modernidad periférica y mestizaje diferencial en América Latina. Al margen del postcolonialismo subalternista”; - Catherine E. Walsh “(Pos)Colonialidad en Ecuador: Las políticas y prácticas de (re)significación y descolonización del movimiento indígena”; - Arturo Arias “¿Especificidad étnica, globalización maya? Cómo el fenómeno de la globalización afecta el despliegue del sujeto étnico.”

Genero y Frontera: - Nelly Richard “Experiencia y representación: lo femenino, lo latinoamericano”; - R. Aída Hernández Castillo “De Feminismos y postcolonialismos: Reflexiones desde el Sur del Río Bravo”; - Silvia Nagy-Zekmi “Representaciones postcoloniales de la frontera.”

Writing Identity, The Politics of Contemporary Afro-Brazilian Literature by Professor Emanuelle Oliveira.

In the late 1970s, Brazil was experiencing the return to democracy through a gradual political opening and the re-birth of its civil society. Writing Identity examines the intricate connections between artistic production and political action. It centers on the politics of the black movement and the literary production of a Sao Paulo-based group of Afro-Brazilian writers, the Quilombhoje. Using Pierre Bourdieu's theory of the field of cultural production, the manuscript explores the relationship between black writers and the Brazilian dominant canon, studying the reception and criticism of contemporary Afro-Brazilian literature. After the 1940s, the Brazilian literary field underwent several transformations. Literary criticism's displacement from the newspapers to the universities placed a growing emphasis on aesthetics and style. Academic critics denounced the focus on a political and racial agenda as major weaknesses of Afro-Brazilian writing, and stressed, the need for aesthetic experimentation within the literary field. Writing Identity investigates how Afro-Brazilian writers maintained strong connections to the black movement in Brazil, and yet sought to fuse a social and racial agenda with more sophisticated literary practices. As active militants in the black movement, Quilombhoje authors strove to strengthen a collective sense of black identity for Afro-Brazilians.

Translation and the Rise of Inter-american Literature (Hardcover)

by Elizabeth Lowe (Author), Earl E. Fitz (Author)

"A welcome addition to the Latin Americanist's toolkit."--Adria Frizzi, University of Texas at Austin

The past few years have seen an explosion of interest among U.S. readers for Latin American literature. Yet rarely do they experience such work in the original Spanish or Portuguese. Elizabeth Lowe and Earl Fitz argue that the role of the translator is an essential--and an often ignored--part of the reception process among English-language readers.

Both accomplished translators in their own right, Lowe and Fitz explain how stylistic and linguistic choices made by the translator can have a profound effect on how literary works are perceived by readers unfamiliar with a foreign language. They also point out ways in which the act of translation is critical to the discipline of comparative literature.

Touching on issues of language, culture, and national identity, Translation and the Rise of Inter-American Literature is one of the first book-length works in this newly emerging field. Combining theories and histories of literature, translation, reception, and cultural studies, it offers a broad comparative perspective rarely found in traditional scholarship.

Bulletin of the Comediantes. Vol. 58, (2006). Edward H. Friedman and  Carlos Jáuregui (Guest Editor)

El Català Antic by Professor Philip D. Rasico (November, 2006)

El Català Antic (469 pp.) is Professor Philip D. Rasico's seventh and most recent book consisting of an in-depth analysis of the evolution of the Catalan language, from the preliterary period through the late Middle Ages, with special attention given to the formation of the phonological system of the language within the comparative context of other Romance vernaculars, particularly those of the Iberian Peninsula and of southern France.  The volume contains an important Introduction written by Josep Moran i Ocerinjauregui on the emergence of Catalan as a written language.

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Canibalia. Carlos Jáuregui. Premio Casa de las Américas 2005 [Casa de las Américas Award]. La Habana, Cuba; Córdoba, Spain: Fondo Editorial Casa de las Américas, 2005, 2006. 977 pages, 35 illustrations. ISBN: 959-260-118-6

Canibalia provides the first comprehensive study of the metaphor of cannibalism in Latin America throughout various stages of its cultural history. It does not study cannibalism as the actual practice of eating human flesh, but rather its symbolic dimensions. It provides a critical account of the historical redefinition and ideological values of cannibalism, not just as a master trope of colonialism and otherness, but also as a shifting figurative device for the definition of Latin American identities; not just a paradigm of otherness but also a trope of self-recognition and that it has been a figurative device for both the implementation and the critique of colonialism in its different and consecutive forms from the conquest and colonization in the sixteenth century to what we know today as Globalization. The book addresses the question of how the metaphor of cannibalism and its developments (i.e., the figure of Caliban, the metaphor of cultural cannibalism, and the trope of consumption) have been articulated with experiences of colonialism and (neo)colonialism, appropriation of cultural difference, and the construction of hybrid identities in Latin America. This cultural history provides an opportunity to grasp and rethink the conflicts of coloniality at diverse moments of Latin American modernity.

Earl Fitz, (2005) Brazilian Narrative Traditions in a Comparative Context.

 New York: Modern Language Association of America.

Jason Borge (2005) Avances de Hollywood, Crítica cinematográfica en Latinoamérica, 1915-1945.

This book examines and documents the first impact of Hollywood on Latin American intellectuals and film journalists, gathering together a collection of essays from the 1920s, 1930s and 1940s by such figures as Jorge Luis Borges, Gabriela Mistral, Mário de Andrade and José Carlos Mariátegui, as well as a number of lesser-known writers of the period. The volume includes an extensive critical introduction stressing the historical and theoretical importance of such a body of work, placing early Latin American film theory and criticism in an international context at the crossroads of cinema and literature

Earl Fitz, (2004) Comparative Cultural Studies and Latin America.

Sophia A. McClennen. West Lafayette, Indiana: Purdue University Press, 2004.

The genesis of the texts in the volume is in the growing conviction of the editors that, given its vitality and excellence, Latin American literature deserves a more prominent place in comparative literature publications, curricula, and disciplinary discussions. The editors argue that there still exists, in some quarters, a lingering bias against literature written in Spanish and Portuguese and that by embracing Latin American literature more enthusiastically, comparative literature in the context of comparative cultural studies would find itself reinvigorated, placed into productive discourse with a host of issues, languages, literatures, and cultures that have too long been paid scant attention in its purview.

Edward H. Friedman (Ed.).  El Caballero De Olmedo: Lope de Vega (Juan de La Cuesta-Hispanic Monographs, 2004).

Carlos Jauregui & Juan Pablo Dabove (eds.). Heterotropias: narrativas de identidad y alteridad latinoamericana. Pittsburgh: Instituto Internacional de Literatura Iberoamericana (2003).

Contributors: Hugo Achugar, Edna Aizemberg, John Beverley, Sara Castro-Klaren, Juan Pablo Dabove, Nina Gerassi-Navarro, Margo Glantz, Stuart Hall, Herman Herlinghaus, Carlos Jáuregui, John Kraniauskas, William Luis, Jesús Martín-Barbero, Silvia Molloy, Mabel Moraña, Michael Palencia-Roth, Rosanna Regillo, Nelly Richard, Alberto Sandoval, Diana de Armas Wilson, and Andrés Zamora.

Edward H. Friedman. El cuento: Arte y análisis . Prentice Hall (2002). This book offers a collection of 24 Hispanic short stories by both male and female authors. Containing an introduction to the Short Story in both English and Spanish, this collection includes a variety of selections that were chosen for their content, style, and cultural contexts. All selections in this anthology, written by authors from Spain, Cuba, Bolivia, Peru, Ecuador, Argentina, Uruguay, Costa Rica, Venezuela, Mexico, Chile, Puerto Rico, Nicaragua, Colombia, and the United States, demonstrate the common themes of social hierarchy, the power of the imagination, human psychology, gender issues, justice, destiny, and the supernatural. For readers who are interested in looking comparatively at Spanish short stories.

Carlos Jáuregui. Querella de los indios en las 'Cortes de la Muerte' (1557) de Michael de Carvajal. Universidad Nacional Autónoma de México (México 2002) is a study (with an annotated edition) of scene nineteenth of "Cortes de la Muerte," a rare theatrical version of the Conquest of the New World from the sixteenth century. In this scene, clearly influenced by Bartolomé de las Casas, a group of American savages with their Cacique protests before the tribunal presided by Death, against the conquistadors and encomenderos.

Benigno Trigo (2002) Noir Anxiety.

Among the elements that define the classic film noir-chiaroscuro lighting, voice-over narration, and such archetypal characters as the world-weary private eye and the femme fatale-perhaps no element is more responsible for the genre's continued popularity among movie buffs, filmmakers, and critics than the palpable sense of anxiety that emanates from the screen. Because the genre emerged in the shadow of the Second World War, this profound psychological and philosophical unease is usually ascribed either to postwar fears about the atomic bomb or to the reactions of returning soldiers to a new social landscape. In Noir Anxiety, however, Kelly Oliver and Benigno Trigo interpret what has been called the "free-floating anxiety" of film noir as concrete apprehensions about race and sexuality.

Applying feminist and postcolonial psychoanalytic theory to traditional noir films (Murder, My Sweet; The Lady from Shanghai; Vertigo; and Touch of Evil) and the "neo-noirs" of the 1970s, 1980s, and 1990s (Chinatown, Devil in a Blue Dress, and Bound), the authors uncover a rich array of unconscious worries and desires about ambiguous sexual, racial, and national identities, often displaced onto these films' narrative and stylistic components. In particular, Oliver and Trigo focus on the looming absence of the mother figure within the genre and fears about maternal sexuality and miscegenation. Drawing on the work of Freud and Julia Kristeva, Noir Anxiety locates film noir's studied ambivalence toward these critical themes within the genre's social, historical, and cinematic context.

Kelly Oliver is professor of philosophy and women's studies and Benigno Trigo is associate professor of Hispanic languages and literature, both at Vanderbilt University. Oliver is the author of five books, including Witnessing: Beyond Recognition (Minnesota, 2001). Trigo is author of Subjects of Crisis: Race and Gender as Disease in Latin America (1999).

Susan Berk-Seligson. The Bilingual Courtroom: Court Interpreters in the Judicial Process. The University of Chicago Press (2002).

The Bilingual Courtroom deals with aspects of linguistic pragmatics, specifically, legal discourse from the perspective of U.S. Latinos who appear in court.  Using a variety of data-gathering approaches (e.g., ethnography, experimental design), and drawing on more than one-hundred hours of tape-recorded material gathered in municipal, state and federal courts in the U.S.A., Susan Berk-Seligson employs data analytical techniques that are both qualitative and quantitative in nature.  She demonstrates that the presence of a court interpreter in judicial proceedings makes a difference in the way that those proceedings are carried out.  As lawyers, judges, witnesses and defendants interact with the interpreter, mock jurors form judgments about persons testifying on the witness stand as well as about the lawyers who are questioning them.  The research reveals that the court interpreter plays a crucial role in judicial proceedings, one that can make the difference between a witness or defendant appearing convincing, trustworthy, competent, and intelligent, or not.  This book was a winner of the British Association for Applied Linguistics annual award for Outstanding Book in the Field of Applied Linguistics.

Benigno Trigo (Ed.). Routledge 2001. Michel Foucault's theories have played a powerful role in the intellectual life of Latin America. Within Latin American studies such concepts as the consciousness of the intellectual elite (letrados), the archive novel, the foundational fiction, and self-writing--all indebted to Foucault--are now the common currency of critical analysis. Foucault and Latin America is the first volume to trace the influence of Foucault's theories on power, discourse, government, subjectivity, and sexuality in Latin American thought.

Earl Fitz, (2001) Jorge Amado: New Critical Essays.

Keith H. Brower, Earl E. Fitz and Enrique Martinez-Vidal, editors. New York: Routledge, 2001.

In Jorge Amado: New Critical Essays, sixteen of the world’s leading Latin American Studies scholars provide a comprehensive survey of Amado’s works, addressing his religion and his revolution, his portrayals of women, his place in postmodern reconstruction, and his legacy in Brazil.

Edward H. Friedman (Introd.).  Don Quixote. Signet Classics (2001). Originally published in two parts in 1605 and 1615, Don Quixote stands as Cervantes' belated but colossal literary success. A work which has achieved mythic status, it is considered to have pioneered the modern novel. Don Quixote, a poor gentleman from La Mancha, Spain, entranced by the code of chivalry, seeks romantic honor through absurd and fantastic adventures. His fevered imagination turns everyday objects into heroic opponents and stepping stones to greater glory; each exploit serves as a comic, yet disturbing commentary on the psychological struggle between reality and illusion, fact and fiction. This celebrated translation by Charles Jarvis offers a new introduction and notes which provide essential background information.

Earl Fitz. Sexuality and Being in the Poststructuralist Universe of Clarice Lispector: The Differánce of Desire. University of Texas Press (2001).

Driven by an unfulfilled desire for the unattainable, ultimately indefinable Other, the protagonists of the novels and stories of acclaimed Brazilian writer Clarice Lispector exemplify and humanize many of the issues central to poststructuralist thought, from the nature of language, truth, and meaning to the unstable relationships between language, being, and reality. In this book, Earl Fitz demonstrates that, in turn, poststructuralism offers important and revealing insights into all aspects of Lispector's writing, including her style, sense of structure, characters, themes, and socio-political conscience. Fitz draws on Lispector's entire oeuvre--novels, stories, crônicas, and children's literature--to argue that her writing consistently reflects the basic tenets of poststructuralist theory. He shows how Lispector's characters struggle over and humanize poststructuralist dilemmas and how their essential sense of being is deeply dependent on a shifting, and typically transgressive, sense of desire and sexuality.

Philip D. Rasico (ed.).  Cafè i quilombo: els diaris de viatge de Joaquim Miret i Sans (1900-1918). Barcelona: Institut d’Estudis Catalans, 2001.

Many of the oldest known manuscripts written in Catalan or in late Medieval Latin with clear examples of the emerging Romance vernacular of Old Catalonia, were discovered and donated to the Institut d’Estudis Catalans (IEC) in the first years of the 20^th century by the distinguished historian Joaquim Miret i Sans (Barcelona, 1858-1919), member and secretary of the Real Academia de Buenas Letras de Barcelona (RABLB) (1900-1919)  and founding member of the IEC (1907).  In addition to the several thousand medieval parchments given by Miret to the IEC and later deposited in the Biblioteca de Catalunya, many of this scholar’s research notes and related materials were donated to the IEC following his death.  These materials include some thirty travel journals which record in detail Miret’s personal experiences and observations, as well as professional activities conducted on behalf of the IEC or the RABLB, in connection with his numerous journeys throughout Europe, northern Africa and the Middle East between the years 1900 and 1918.

Benigno Trigo, (2000) Subjects of Crisis

Race and Gender as Disease in Latin America.

Described by its intellectuals as a "sick continent," a racially handicapped people, a hysterical female body, or an unbalanced psychological subject, Latin America has materialized as a region in crisis. Disease has emerged as both a metaphor and a matter of fact for those trying to understand the region. Aiming to free this metaphor from its materiality, Benigno Trigo describes its complexity and development. He reads Latin American history and literature from a broad perspective of cultural studies. He traces race, gender, and disease as they materialize in changing spatial landscapes, critical bodyscapes, and in conflicting histories of the region.

Trigo argues that sexual and racial differences emerge as threats in competing scientific, literary, and political discourses describing the colonial context of Latin America. Whether speaking of the mapping practices of Alexander Humboldt and Agustín Codazzi, the construction of a virulent subjectivity in the writings of José M. Samper and Jorge Isaacs, or the construction of anemia as an endemic disease by an intellectual elite, Trigo shows how theories about disease, race, and gender are central to the widespread perception of Latin America as a subject of crisis.

René Prieto. Body of Writing: Figuring Desire in Spanish American Literature.  Duke University Press (2000).

This book focuses on the traces that an author’s “body” leaves on a work of fiction. Drawing on the work of six important Spanish American writers of the twentieth century, René Prieto examines narratives that reflect—in differing yet ultimately complementary ways—the imprint of the author’s body, thereby disclosing insights about power, aggression, transgression, and eroticism. Healthy, invalid, lustful, and confined bodies—as portrayed by Julio Cortázar, Guillermo Cabrera Infante, Gabriel García Márquez, Severo Sarduy, Rosario Castellanos, and Tununa Mercado—become evidence for Roland Barthes’s contention that works of fiction are “anagrams of the body.” Claiming that an author’s intentions can be uncovered by analyzing “the topography of a text,” Prieto pays particular attention not to the actions or plots of these writers’ fiction but rather to their settings and characterizations. In the belief that bodily traces left on the page reveal the motivating force behind a writer’s creative act, he explores such fictional themes as camouflage, deterioration, defilement, entrapment, and subordination. Along the way, Prieto reaches unexpected conclusions regarding topics that include the relationship of the female body to power, male and female transgressive impulses, and the connection between aggression, the idealization of women, and anal eroticism in men. This study of how authors’ longings and fears become embodied in literature will interest students and scholars of literary and psychoanalytic criticism, gender studies, and twentieth-century and Latin American literature.

William Luis. Culture and Customs of Cuba: (Culture and Customs of Latin America and the Caribbean).  Greenwood Press (2000). Cuba continues to loom large in U.S. consciousness and politics. Culture and Customs of Cuba is a much-needed resource that gives students and other readers an in-depth view of our important island neighbor. Luis, of Cuban descent, provides detailed, clear insight into the society, religions, customs, media, cinema, literature, performing arts, and art in the context of three interrelated periods in Cuban history: Colonial, the Republic, and Castros Revolution and beyond. The contributions of Cubans in exile are considered an inherent part of Cuban culture and Luis includes them as well.

Edward H. Friedman. Brave New Words: Studies in Spanish Golden Age Literature. Univ Pr of the South Inc; 1st ed edition (April 1999) ISBN-10: 1889431133; ISBN-13: 978-1889431130.

 The essays of Brave New Words look at a number of texts that begin at the threshold of the Renaissance and extend through the late Baroque. The studies offer solid analyses based on an impressive range of approaches. History, philosophy, mythology, the plastic arts, gender issues, religious conflicts, theory (old and new), and semantics figure among the agents of mediation. If there is an ethos--a common rhetorical thrust--of the Spanish Golden Age, it is arguably a faith in the ability of the writer to utilize and to transcend the past, to construct metaphorical bridges while accentuating the connecting elements. This collection is a testament to the diverse modes employed by writers and by critics to juxtapose ideas with aesthetics, in essence, to illuminate without erasing the processing mechanisms.

Contributors: E.M. Anderson, M.E. Barnard, E.L. Bergmann, B. Brancaforte, A.J. Burch, F.A. de Armas, P.N. Dunn, A.R. Lauer, L. Lpez-Baralt, M. McGaha, G. McKim-Smith and M.L. Welles, J.A. Parr, F.J. Snchez, R.T. Horst, E. Urbina, J.A. Whitenack, D.S. Williams, H. Zanzana.

El doble silencio del Eunuco (1998).  Poéticas sexuales de la novela realista según Clarín. Andrés Zamora Juárez.

Cathy L. Jrade. “Modernismo,” Modernity, and the Development of Spanish American Literature. University of Texas Press (1998).

Modernismo arose in Spanish American literature as a confrontation with and a response to modernizing forces that were transforming Spanish American society in the later nineteenth century. In this book, Cathy L. Jrade undertakes a full exploration of the modernista project and shows how it provided a foundation for trends and movements that have continued to shape literary production in Spanish America throughout the twentieth century. Jrade opens with a systematic consideration of the development of modernismo and then proceeds with detailed analyses of works-poetry, narrative, and essays-that typified and altered the movement's course. In this way, she situates the writing of key authors, such as Rubén Darío, José Martí, and Leopoldo Lugones, within the overall modernista project and traces modernismo's influence on subsequent generations of writers. Jrade's analysis reclaims the power of the visionary stance taken by these creative intellectuals. She firmly abolishes any lingering tendency to associate modernismo with affectation and effete elegance, revealing instead how the modernistas' new literary language expressed their profound political and epistemological concerns.

Philip D. Rasico. El “Llibre d’Or” dels menorquins de la Florida: el registre de San Pedro de Mosquitos i estudi de la població menorquina a la Florida en el segle XVIII.  Menorca: Institut Menorquí d’Estudis / Universitat de les Illes Balears, 1998.

This volume, which complements the author’s earlier studies of the Minorcan colony established in 18^th-century British East Florida, contains the first complete and critical edition of the parish register of San Pedro de Mosquitos in New Smyrna (Mosquitos), Florida, also known as the “Golden Book of the Minorcans,” in which are recorded by the Minorcan missionary, Rev. Pedro Camps Janer, the births, baptisms and marriages of many of the members of  the Florida Minorcan colony between the years 1768-1784.  Also critically edited and analyzed are the manuscripts of the first two censuses of the town of St. Augustine (1784 and 1786) conducted during the initial years of the second Spanish occupation of Florida, both of which reveal the presence of an overwhelming majority of Catalan-speaking Minorcan islanders together with their Florida-born descendants, survivors of the failed plantation at New Smyrna/Mosquitos (1768-1777).

William Luis. Dance Between Two Cultures: Latino Caribbean Literature Written in the United States. Vanderbilt University Press (1997).

In this study, William Luis analyzes the most salient and representative narrative and poetic works of the newest literary movement to emerge in Spanish American and U.S. literatures. The book is divided into three sections, each focused on representative Puerto Rican American, Cuban American, and Dominican American authors. Luis traces the writers' origins and influences from the nineteenth century to the present, focusing especially on the contemporary works of Oscar Hijuelos, Julia Álvarez, Cristina García, and Piri Thomas, among others. While engaging in a close readings of the texts, Luis places them in a broader social, historical, political, and racial perspective to expose the tension between text and context. As a group, Latino Caribbeans write an ethnic literature in English that is born of their struggle to forge an identity separate from both the influences of their parents' culture and those of the United States. For these writers, their parents' country of origin is a distant memory. They have developed a culture of resistance and a language that mediates between their parents' identity and the culture in which they themselves live. Latino Caribbeans are engaged in a metaphorical dance with Anglo-Americans as the dominant culture. Just as that dance represents a coming together of separate influences to make a unique art form, so do both Hispanic and North American cultures combine to bring a new literature into being. This new body of literature helps us to understand not only the adjustments Latino Caribbean cultures have had to make within the larger U.S. environment but also how the dominant culture has been affected by their presence.

Enrique Pupo-Walker (Editor) The Cambridge History of Latin American Literature: Volume 1, Discovery to Modernism (The Cambridge History of Latin American Literature) by Roberto Gonzalez Echevarría (Editor), Enrique Pupo-Walker (Editor) Cambridge University Press (1996)

The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 2 provides coverage of all genres from the end of the nineteenth century up to García Márquez’s One Hundred Years of Solitude and beyond to 1990, thus including discussion of Spanish American literature’s best-known works. The novel, poetry, autobiographical narrative, the short story, Afro-Hispanic American literature, theatre, and Chicano literature are among the areas treated in this wide-ranging volume.

Reviews: “This exceptional three-volume history of Latin American Literature...surpasses its goal....Congatulations to contributors, editors, and publishers on what will become a classic in the field.” F. Colecchia, Choice; “Primary and vital resource for literary specialists, historians, students of all levels, and general readers interested in this period. Extremely useful, well written, and interesting.” Handbook of Latin American Studies; “This volume of the Cambridge History of Latin American Literature offers well-informed and thorough coverage of the twentieth century....The editors of this volume have organized a well-conceived and authoritative volume that any student or scholar of Latin American Literature will find extremely valuable. The depth and breadth of this book are remarkable” Raymond Leslie Williams, Revista de Estudios Hispánicos; “Roberto González Echevarría and Enrique Pupo-Walker have done a tremendous sesrvice to Latin American letters by editing The Cambridge History of Latin American Literature. This landmark work brings together crit