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Posted By craigc1 On March 22, 2012 @ 11:54 am In Spring 2012, The Mind's Eye | No Comments
by Steven Tepper, associate professor of sociology and associate director of the Curb Center for Art, Enterprise and Public Policy (2011, University of Chicago Press)
Tepper’s book suggests that artists who simply cite the First Amendment, guaranteeing free speech, to defend their work aren’t cutting it in a “YouTube world,” where it is difficult for anyone to truly stop art from being disseminated. “Perhaps we can have more art, more controversy, more protest, more conversation, more obstacles, more alternatives, more community and more democracy,” he says.
by Kathryn Schwarz, associate professor of English (2011, University of Pennsylvania Press)
Noting that the pattern in 16th- and 17th-century representations of femininity is that women pose a threat when they conform too willingly to social conventions, Schwarz begins her book with an examination of early modern disciplines that treat will as an aspect of the individual psyche, of rhetoric, and of sexual and gendered identities. She then analyzes will through Shakespearean works in which feminine characters articulate and manage the values that define them, revealing the vital force of conventional acts.
by Matthew B. Wills, BA’54 (2011, The History Press, UK)
Wills tells the story of John Leach, analyzing the influences that shaped him and led ultimately to his heroic end. He traces Leach’s life from his time at Royal Naval College, Osborne and Britannia Royal Naval College in Dartmouth, his baptism by fire in the service when he survived a direct shell hit to the bridge where he was standing, and his time as captain of the Prince of Wales. The book presents a portrait of one of Britain’s finest, using new research on failures in navy intelligence as a major factor in the loss of HMS Prince of Wales and HMS Repulse.
edited by Glenn Feldman, MA’86 (2011, University Press of Florida)
Has the South, once the “Solid South” of the Democratic party, truly become an unassailable Republican stronghold? If so, when, where, why and how did this seismic change occur? What are the implications for the U.S. body politic?
In Painting Dixie Red a distinguished group of scholars engages in this debate, some making the case that the South has become Republican and some contending that it has not.
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