Recent Dissertations
Robert Jenkins, “Model-Readings of Modernist Epic: Pursuing Semiotic Strategies in the Work of Alfred Döblin.”
Carola Daffner, “Spaces of Provocation: Jewish Topographies in the Works of Gertrud Kolmar."
Brian McInnis, “Reading the Moral Code: Theories of Mind and Body in Eighteenth-Century Germany.”
Claudia Schlee, “The Poem as Periodic Center: Complexity Theory and the Creative Voice in Friedrich Nietzsche, Gottfried Benn, and Wallace Stevens.”
Mark Lee, “Literary Counterpoint and the Art of the Fugue: Music and Indeterminacy in Hermann Hesse’s Der Steppenwolf.”
Regina Schwarzmeier, “Kontextualisierung von Ehe und Ehelosigkeit: Weibliche Lebensentwürfe in den Romanen von Friederike Helene Unger.”
Holly Liu, “Erinnerung als Erzählstrategie: DDR-Vergangenheitsbewältigung seit der Wende bei Monika Maron, Helga Schütz and Brigitte Burmeister.”
Bernadette Hyner, “Exploring I's: Relocation and the Self in Works by Sophie von La Roche and Elisa von der Recke.”
Marta Folio, “An Occidental Workshop": Eugene Jolas and 'transition.' Bridging European and American Modernism.”
David McMurray, “Conserving Individual Autonomy in Exile: Hans Habe's Struggle against Totalitarianism.”
Agnes C. Mueller, “Lyrik ‘made in USA:’ Vermittlung und Rezeption in der Bundesrepublik.”
