recent dissertations
Robert Kelz: Competing Germanies: The Free German Stage and the German Theater in Argentina in Buenos Aires, Argentina, 1938-65
Mark Looney: Representing Terrorism: Aesthetic Reflection and Political Action in Contemporary German Novels (Goetz, Klein, Tellkamp)
Robert Jenkins: Model-Readings of Modernist Epic: Pursuing Semiotic Strategies in the Work of Alfred Döblin
Carola Daffner: Spaces of Provocation: Jewish Topographies in the Works of Gertrud Kolmar
Brian McInnis: Reading the Moral Code: Theories of Mind and Body in Eighteenth-Century Germany
Claudia Schlee: The Poem as Periodic Center: Complexity Theory and the Creative Voice in Friedrich Nietzsche, Gottfried Benn, and Wallace Stevens
Mark Lee: Literary Counterpoint and the Art of the Fugue: Music and Indeterminacy in Hermann Hesse’s Der Steppenwolf
Regina Schwarzmeier: Kontextualisierung von Ehe und Ehelosigkeit: Weibliche Lebensentwürfe in den Romanen von Friederike Helene Unger
Holly Liu: Erinnerung als Erzählstrategie: DDR-Vergangenheitsbewältigung seit der Wende bei Monika Maron, Helga Schütz and Brigitte Burmeister
Bernadette Hyner: Exploring I's: Relocation and the Self in Works by Sophie von La Roche and Elisa von der Recke
Marta Folio: An Occidental Workshop": Eugene Jolas and 'transition.' Bridging European and American Modernism
David McMurray: Conserving Individual Autonomy in Exile: Hans Habe's Struggle against Totalitarianism
Agnes C. Mueller: Lyrik ‘made in USA:’ Vermittlung und Rezeption in der Bundesrepublik
