sara eigen figal

 select publications

  • Heredity, Race, and the Birth of the Modern. New York and Abingdon: Routledge, 2008.
  • Sara Eigen and Mark Larrimore, eds. The German Invention of Race. New York: SUNY Press, 2006. Reissued in paperback, 2007.
  • “Liebe Perla, Memento Mori,” Women in German Yearbook: Feminist Studies in German Literature and Culture 22 (2006): 1-20.
  • “Introduction: The German Invention of Race.” Co-authored with Mark Larrimore. In The German Invention of Race. Eds. Sara Eigen and Mark Larrimore. SUNY Press, 2006. 1-7.
  • “Policing the Menschen=Racen.” In The German Invention of Race. Eds. Sara Eigen and Mark Larrimore. SUNY Press, 2006. 185-202.
  • “Self, Race, and Species: Blumenbach’s Atlas Experiment,” German Quarterly 78 (2005): 277-298.
  • “Hannah Arendt’s Lessing-Rede and the ‘Truths’ of History,” Lessing Yearbook 32 (2000): 309-324.
  • “A Mother’s Love, a Father’s Line: Law, Medicine, and the Eighteenth-Century Fictions of Patrilineal Genealogy,” in Genealogie als Denkform. Eds. Kilian Heck and Bernhard Jahn. Tübingen: Niemeyer Verlag, 2000. 87-107.

working project

  • Enemies, Neighbors, Next-of-Kin: Enlightened Theories of Amity, Enmity, Talk, and War. Manuscript in progress.

recent presentations

  • “The Caucasian Slave Race: Racial Improvement by Racial Mixing,” Workshop on “Human Breeding for the Improvement of the Nations,” German Historical Institute, 2008.
  • “Colonial Metamorphosis: Hans Grimm’s African Writings,” 2nd Annual Transdisciplinary Literary and Cultural Studies Conference: Metamorphosis and Place, Fatih University, Istanbul (Turkey), 2007.
  • “Enemies, Neighbors, Next-of-Kin: Prussia’s Enlightening Theories of War,” Bloomington Eighteenth-Century Studies Workshop, 2006.
  • “A Catechism for War: Frederick the Great’s Brotherhood of Man”, GSA, Pittsburg, 2006.
  • “Hans Grimm. Reading Style Against Theme (or, how literature—even Hans Grimm’s—eludes monochromatic political interpretation),” GSA, Milwaukee, 2005.
  • “Extreme Natural History: Portraiture and Anthropological Illustration in the Eighteenth Century,” Conference on “Extreme and Sentimental History,” Vanderbilt University, 2004.
  • “Liebe Perla: Voyeurism, Medical Ethics, and the Use of Nazi Analogy,” GSA, Washington, D.C., 2004.
  • “Political Theater and the Limits of Empathy (Lessing’s Nathan),” ASECS, Boston, 2004.
  • “Zeugung des Gutes,” for a symposium on “Generation als symbolische Form,” Zentrum für Literaturforschung, Berlin, 2002. Full travel and residency support provided by host institution.

public lectures

  • Public Panel discussion on “The Protocols of Zion,” The Belcourt Theater, Nashville, 2005 Public Lecture/Introduction and discussion of “Imaginary Witness: Hollywood and the Holocaust,” Nashville Jewish Film Festival, 2005
  • Public Lecture/Introduction and discussion of “Alles auf Zucker,” Nashville Jewish Film Festival, 2005
  • Public Lecture at the Frist Museum of Art on “Children in Royal Portraiture,” 2004