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American Art at Vanderbilt
American Painting | American Sculpture | American Graphic Arts
The study of American artists, whose significance was once over-shadowed by their European counterparts, has developed into a dynamic and popular branch of art history. The collection of American art at Vanderbilt remains one of the strongest areas of the university's holdings and provides a broad portrait of nineteenth- and twentieth-century stylistic movements. Those Americans represented in the collection include some of the most influential and well-known artists of the past two centuries.
In nineteenth-century painting, Vanderbilt's collection includes oil paintings created by Childe Hassam, the leader of the American Impressionist movement; Jasper Cropsey; and George Inness, the Barbizon-influenced landscape painter. Early twentieth-century works in the collection include a painting by William Merritt Chase, considered to be the most important art teacher of his generation and whose students included Charles Demuth, Georgia O'Keeffe, and Charles Sheeler. The collection also includes The Picnic, Vermont, by Milton Avery, who alone perpetuated the post-Fauvist style of Matisse in America.
While the university owns a relatively small number of American paintings, the extensive holdings in nineteenth- and twentieth-century works on paper assist in illustrating the diversity of artistic movements that define American art. Significant painters and printmakers such as Mary Cassatt and James McNeill Whistler, both included in the collection, executed works that fully exploited and expanded the medium of printmaking. Furthermore, such modern masters as Regionalists John Steuart Curry and Grant Wood; Dadaist Man Ray; Abstract Expressionists Adolph Gottlieb, Robert Motherwell, and Lee Krasner; Pop artist Roy Lichtenstein; Minimalist Ad Reinhardt; as well as others, serve to present a unique view of the diversity and inventiveness of American artistic production.
In recent years, the Gallery has added work by a number of contemporary artists including Enrique Chagoya, Martin Puryear, Kiki Smith, Lorna Simpson, Kara Waller, Lesley Dill, Louise Bourgeois, Jim Dine, Joseph Kosth, and Andy Warhol, among others.
American Painting
American Painting | American Sculpture | American Graphic Arts
[Click on images below to enlarge view]

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Samuel L. Dunson, Jr.
American, b. 1970
Brownstone All-Stars, 1997
Oil on canvas
36" x 24"
Dr. and Mrs. E. William Ewers
Gift for Fine Arts Fund Purchase
1997.154 |

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Isabel Bishop, American, 1902–1988
Recess #1, 1975
Oil on board
Vanderbilt Art Association Acquisition Fund Purchase
1978.034 |
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Studies for Recess #1 |

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Isabel Bishop, American, 1902–1988
Study for Recess #1, 1975
Ink on paper
Vanderbilt Art Association Acquisition Fund Purchase
1978.033 |
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Isabel Bishop, American, 1902–1988
School Girls (Study for Recess #1), 1975
Aquatint
Vanderbilt Art Association Acquisition Fund Purchase
1978.035 |

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Milton Avery, American, 1893–1965
The Picnic, Vermont, 1940
Oil on canvas
Gift of Roy R. Neuberger, The Peabody College Collection, Vanderbilt University Fine Arts Gallery
1979.0188P |

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Childe Hassam
(1859–1935)
The Skyscraper Window, 1934
Oil on canvas
59 1/4" x 47 1/4"
The Peabody College Collection, Vanderbilt University Fine Arts Gallery
1979.0228P |

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Irving Wiles, American, 1861–1948
The Pianist, 1889
Oil on panel
The Peabody College Collection, Vanderbilt University Fine Arts Gallery
1979.0280P |

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William Merritt Chase
American (1849–1916)
Still Life with Fish, date unknown
Oil on canvas
17 1/2" x 21 1/2"
The Sullivan Collection, The Peabody College Collection, Vanderbilt University Fine Arts Gallery
1979.0203P |

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David Daniel Johnson
American (1827–1908)
Lake George, date unknown
Oil on canvas
19 1/2" x 24 1/2"
The Peabody College Collection, Vanderbilt University Fine Arts Gallery
1979.0232P |

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Jasper Cropsey
American (1823–1900)
The Old Homestead, Wyoming Valley, 1865
Oil on canvas
13" x 18"
Gift of Sam I. and Ellen C. Yarnell
1981.007 |

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Jane Stuart
American (1812–1888)
Scene from a Novel or a Subject from Literature, 1834
Oil on canvas
36" x 28"
Vanderbilt Art Association Acquisition Fund
1988.014 |
American Sculpture
American Painting | American Sculpture | American Graphic Arts
[Click on images below to enlarge view]

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John Rogers
American (1829–1904)
Checkers Up At the Farm, 1875
Plaster with paint
32 3/4" x 16 1/2" x 12 3/4"
Gift of Marc and Betty Hollender
2004.028 |
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John Chamberlain
American (1927–2011)
Maz, 1960
Painted steel
48" x 40" x 36"
The Peabody College Collection, Vanderbilt University Fine Arts Gallery
1979.0667P |
American Graphic Arts
American Painting | American Sculpture | American Graphic Arts
[Click on images below to enlarge view]

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James McNeill Whistler, American, 1834–1903
Seymour Standing Under a Tree, 1859
Etching
Gift of Austin B. Chinn, ’69, in memory of his mother, Mrs. Joseph W. Chinn III
2006.015 |

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Reginald Marsh, American, 1898–1954
Girl Walking (Elevated), 1945
Lithograph
Dr. and Mrs. E. Williams Ewers Gift for Fine Arts Fund Purchase
2000.003 |

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Grant Wood
American (1892–1942)
Family Doctor, 1941
Lithograph
10" x 12"
The Anna C. Hoyt Collection, Vanderbilt University
1957.044 |

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Martin Lewis, American, 1883–1962
Night in New York, 1932
Etching on laid paper
Vanderbilt Art Association Acquisition Fund Purchase
1980.010 |

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Thomas Nason
American (1889–1971)
Connecticut Pastoral, 1936
Wood engraving
3 1/4" x 4 1/4"
Dr. and Mrs. E. William Ewers Gift for Fine Arts Fund Purchase
2004.034 |

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Man Ray
American (1890–1976)
The Pear (or La Poire d'Eric Satie), date unknown
Serigraph
18" x 11 5/8"
Vanderbilt Art Association Acquisition Fund
1973.004 |

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Peter Milton
American, b. 1930
From, The Jolly Corner, 1971
A limited edition portfolio of the story of the same title by Henry James (1843–1916)
Etching with aquatint on wove paper
9 5/8" x 14 5/8"
Dr. and Mrs. E. William Ewers Gift for Fine Arts Fund Purchase
2000.120 |

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Robert Rauschenberg
American (1925–2008)
Swim /ROCI USA (Wax Fire Works), 1990
Acrylic, fire wax, variegated brass leaf on stainless steel
72 3/4" x 96 3/4"
Gift of Donald and Ruth Saff
2002.026 |

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Lesley Dill,
American, b. 1950
Front, from A Word Made Flesh
(With verse from Emily Dickinson), 1994
Lithograph/intaglio on Mulberry paper, hand sewn onto Arches Buff
30" x 22"
Janice D. Forsythe Memorial Fund Purchase, with additional funds provided by the Vanderbilt Art Association Fund
1996.176 d |

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Lorna Simpson
American, b. 1960
Backdrops Circa 1940s, 1998
Serigraph on two felt panels
26 3/8" x 17 1/8"
Dr. and Mrs. E. William Ewers Gift for Fine Arts Fund Purchase
1999.143 |

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Rosalyn Richards
American, b. 1947
Lattice, 2002
Etching on Chine Collé
20 7/8" x 14 13/16"
Janice D. Forsythe Memorial Fund Purchase
2004.040 |

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Rosalyn Richards
American, b. 1947
Sand and Smoke, 2002
Etching on Chine Collé
21 3/8" x 14 15/16"
Janice D. Forsythe Memorial Fund Purchase
2004.041 |

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Enrique Chagoya
American, b. 1953
Anthropologist with Noodles, from The Enlightened Savage, 2002
Digital print on paper mounted to water filled "c" enamel lined can
4" x 2 1/2"
Fine Arts Gallery Acquisition Fund
2002.016 |

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Enrique Chagoya
American, b. 1953
La Portentosa Vida de la Muerte (The Prodigious Life of Death), 2003
Lithograph on Chine Collé
17 3/8" x 14"
Dr. and Mrs. E. William Ewers Gift for Fine Arts Fund Purchase
2003.052 |

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Jay Bolotin
American, b. 1949
From The Jackleg Testament, 2003
A limited edition portfolio of 40 prints and a film of the same title
19 1/2" x 26"
Woodcut
Made possible by a gift from the Lifeworks Foundation, Nashville
2006.008 |
American Art | European Art | Egyptian, Etruscan and Greek Art | Asian Art | African, Pre-Columbian, Latin American and Oceanic Art | Photography | Samuel H. Kress Collection | Contemporary Posters |