Nashville Review was founded with two guiding principles: that our venue would be inclusive of all forms of storytelling, and that it would be both free and available to anyone who wished to enjoy it. Thus, NR seeks to feature those forms of art not traditionally recognized as literature—comics, film, music, visual art, creative nonfiction, dance, oral storytelling and other performance arts—alongside the more traditional forms of fiction and poetry. We also feature interviews and a community section that showcases work from local writers. We publish three issues annually: on the 1st of April, August, and December. NR is published entirely online, and its readership includes visitors from over 100 countries.
NR is edited by the MFA students at Vanderbilt University. The NR jukebox was designed by Susanna Kwan.
Summer 2014 Masthead
Editor in Chief: Anna Rose Silverstein
Fiction Editors: Simon Han, Marysa LaRowe, Maggie Zebracka, Rita Bullwinkel, Theo Yurevitch, Katy Cesarotti, Sadie Andros, Rebekah Moredock, Claire Burgess, Savanna Walker
Poetry Editors: Simone Wolff, Anne Charlton, Alicia Brandewie, Anders Carlson-Wee, Dan Haney, Max McDonough, Mary Somerville
Nonfiction Editors: Lee Conell, Max McDonough, Anne Charlton, Maggie Zebracka
Music Editor: Anders Carlson-Wee
Comics Editor: Katie Foster
Performance Arts Editor: Theo Yurevitch
Community Coordinator: Alicia Brandewie
Founding Editors: Matthew Baker, Claire Burgess, Kendra DeColo, Lisa Dordal, Robert Funke, Zachary Greenberg, Susanna Kwan, Andrew Rahal, Valerie Sullivan
Contributing Editors: Honor Moore, Kevin Wilson, Thomas Lux, Howard Cruse, Rebecca Makkai, Ander Monson, Salvatore Scibona, Sarah Maclay, Chris Bachelder, Heather Sellers, Imad Rahman, Patrick O’Keeffe, Derrick Brown
Den Mother: Alice Randall
(Head Editors in italics)
Nashville Review seeks to publish the best in traditional and nontraditional genres-–from literary fiction, poetry and nonfiction, to comics, short films, music and other performance arts. Both distinguished and emerging artists are encouraged to submit.
Nashville Review considers fiction and poetry only during these three reading periods:
_____January 1 – February 1
_____May 1 – June 1
_____September 1 – October 1
Fiction and poetry submitted outside of these reading periods cannot be considered. While we understand this may seem inconvenient, we opt for shorter, more frequent reading periods so that we can give quicker responses to our submitters, thus offering more opportunities to submit throughout the year.
Because of the low volume of submissions we receive in comics, nonfiction, music, film, dance, oral storytelling and oral poetry, these genres are encouraged to submit year round.
All submissions may be made through our online submissions manager.
We DO NOT accept email submissions.
All submissions must be previously unpublished (in print or electronic form).
As of Summer 2012, we are now paying contributors!
_____Fiction, nonfiction, comics, film, and dance contributors are offered a flat fee of $100 per selection.
_____Oral story poetry and oral storytelling contributors are offered $50 per selection.
_____Poetry contributors are offered $25 per poem.
_____Cover artists are offered $100 per selection.
See below for genre specific guidelines.
We welcome flash fiction, short stories, and novel excerpts of up to 8,000 words. No genre or children’s fiction. Please submit only once per reading period.
Between two and five poems may be submitted at a time.
Up to 8,000 words.
We’re seeking literary comics—comics that are more than simply funny or gory. Think Shaun Tan’s The Arrival, Chris Ware’s Jimmy Corrigan, Maira Kalman’s The Principles of Uncertainty, Lynda Barry’s One Hundred Demons, Gene Luen Yang’s American Born Chinese, anything by Nilsen or Moebius or Tomine or Tezuka. We’d love to see anything from one-page comics to excerpts from graphic novels.
We prefer exclusive tracks: live recordings, studio versions, unreleased songs, remixes, and so on. But we’re happy to consider anything.
Performance Arts Guidelines – for Film, Drama, Dance, Oral Storytelling, Oral Poetry, And So On
Filmmakers, dancers, and performance artists of all kinds interested in submitting their work should contact the Editor at firstname.lastname@example.org. Oral storytelling and poetry submitted through our submissions manager must be in audio formats. Video formats can be sent to the above email.
Paintings, drawings, and photography may be submitted for cover art as attachments to the Editor at email@example.com.