The Arts Industries Policy Forum will join the National Center for Creative Aging for a first-time discussion on expressive life and creative practice as a new frame for connecting public policy with issues around aging, on Thursday, May 17th at the University Club of Washington, DC, at 2:00 p.m. Bill Ivey and Elizabeth Long Lingo More…
Steven Tepper and Douglas Dempster’s essay on the net price versus value of an art school education is featured on Inside Higher Ed. But how much is too much to pay for a college education? Can American higher education be more accountable, transparent, and forthcoming with telling measures of value without withering in Weber’s iron More…
The Curb Center’s Washington, DC, based Arts Industries Policy Forum hosted Alec Ross, Senior Advisor for Innovation to Secretary of State Hillary Clinton, as its guest conversationalist on April 5, 2011. His unique perspectives on public policy regarding technology, innovation and cultural diplomacy framed the discussion. Much of the discussion centered on the role of social media in changing the political dynamics in the Middle East.
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Like most cities, artists, gallery owners, critics, curators, collectors and the curious weave a nebulous network to sustain a creative community. Unlike most cities, the DC art scene operates in the shadows of national monuments, free national art museums and internationally recognized art centers. Cities across the U.S. battle against the pervading myth that you can only make it as an artist in a culture-rich metropolis like New York, Los Angeles or Chicago. True, DC has distinct offerings and challenges…but clear indications show that emerging artists don’t settle for DC, they choose DC. More…
Tepper makes a strong argument that arts protests are good for democracy and not simply collateral damage from the so‐called culture wars. He suggests that the art world has too often tried to silence its critics and that a 21st century approach to arts conflicts requires balancing the needs of artists with the needs of the community. He argues that art is most relevant when people care enough to fight over it. Communities are healthiest when people have avenues for expressing their hopes and fears. Fights over art provide the democratic space to negotiate differing views of community life and community identity. More…











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