The Pre-College Program
QUICKLINKS: Policies | Certificate Program | Certificate Program at a Glance Instruction | Ensemble Instruction | Scholarships
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Click here for complete pre-college & adult catalog 2007-2009
Instructional Opportunities
• Blair offers individual instruction in all
orchestral instruments and in piano, organ, harpsichord, guitar,
fiddle, dulcimer, mandolin, banjo, steel drum, recorder, viola da
gamba, saxophone, euphonium, and voice.
• KinderMusik is a program offered to young
children (infants to age 6) with their caregivers.
• New Horizons, based on Kodaly and Orff teaching
concepts, is open to children ages 4 – 6.
• Suzuki instruction is available in violin
and cello.
• Group performance instruction is available
in piano, recorder, fiddle, dulcimer, and mandolin.
• Group instruction is offered in any instrument,
contingent upon the formation of a compatible group of adequate
size.
• Class instruction includes music theory, music
history and literature, and accompanying.
• Ensemble training is provided through the
Blair Children’s Chorus Program, the Nashville Youth Orchestra
Program, and the Blair Suzuki Program. Other ensembles, including
steel drum and African drumming, are sometimes open to pre-college
students. Ensemble training is also available in chamber music,
contingent upon establishment of a compatible group of adequate
size.
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AUDITIONS AND PLACEMENT
All new private lesson students must schedule an interview
with faculty prior to their first registration. Current information
on interviews, including interview dates, is available in the Blair
main office. Call 322-7651 for information.
Requests for specific private teachers are honored
whenever feasible. If a change is desired, this must be discussed
with the current teacher. Lessons on two instruments concurrently
should be discussed with both teachers to determine if there is
sufficient time and motivation to sustain study at appropriate levels
in both areas. Students enrolling for theory classes are tested
for placement. Students enrolling for music history classes should
contact the instructor.
REGISTRATION AND FEES
Students must register each term before receiving
instruction. Fees are due at the time of registration, but may be
paid over the entire semester if a signed deferment form is completed.
Fee adjustments may be made for students entering late in the semester.
Refunds are not made after the first week of classes.
See the current PC&A Schedule of Courses for tuition
information. Current schedule is available online at www.vanderbilt.edu/blair/precoll.
BLAIR ID. CARD, LIBRARY CARD, AND PRIVILEGES
A Blair identification card, issued at the beginning
of each semester, provides access to the Anne Potter Wilson Music
Library and free admission to Blair Series concerts. Students must
pay a one-time fee of $5 to obtain a Music Library card. Students
must obtain a current Blair identification card each semester for
renewal of the library card with no fee. Free tickets to all Blair
Series concerts, subject to availability, will be available at the
main front desk upon presentation of a current Blair ID
ABSENCES
If a student must miss a lesson, the teacher must
be notified as far in advance as possible. Faculty members are not
required to reschedule lessons cancelled by students; however, lessons
or classes cancelled by faculty members will be rescheduled.
As a general policy, the school is not closed for
inclement weather. A faculty member who is unable to travel will
notify students and reschedule lessons or classes.
REPORTS
Examinations are given at the end of each semester,
excluding summer session. Performance examinations are an important
part of the Blair program. Students perform for a faculty committee;
exam critiques and semester written reports provide a written evaluation
of progress and suggestions for improvement.
DEFICIENCIES AND PROBATION
A pre-college student whose progress is not satisfactory
may be placed on probation for half a semester. If at the end of
this period the quality of work has not improved to the satisfaction
of the teacher, the student may not continue at the school. In the
event of a dismissal, no refund will be given. Written notification
is made in each case.
HIGH SCHOOL CREDIT
Students in many high schools can earn enrichment
credit for instruction taken at Blair. Students must fulfill all
requirements to the satisfaction of the teacher. Blair instruction
for high school credit is coordinated through the associate registrar’s
office. The student is responsible for determining his/her eligibility
with the individual high school’s guidance counselor.
PARKING AT BLAIR
Blair School visitor lots (lots 103 and 104) located
at the east and west ends of the building require a valid permit
and are reserved for our youngest students. Permits for families
with enrolled children, ages 10 and under ONLY, may be obtained
in the Blair main office at the time of registration. Limit ONE
per family.
Parking is limited and is NOT guaranteed.
Pre-college and adult student parking is also available
AFTER 3:30 P.M. DAILY at Harris Hillman School (across Blakemore
Avenue).
Vehicles parked in Blair lots without valid permits
will be ticketed and/or towed. Any vehicle parked in the Fire Lane
or in an area not marked as a parking space will be ticketed and
towed.
Parking is also available for a nominal fee in the
Children’s Hospital South Garage on Children’s Way,
one half-block east of the corner of 24th and Children’s Way.
PARKING POLICY IS SUBJECT TO CHANGE EACH SEMESTER.
SEE THE CURRENT SEMESTER BROCHURE FOR MORE INFORMATION.
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Blair School of Music awards two certificates to select
high school seniors who have completed formal programs that encourage
excellence in performance and knowledge of music theory and history—all
essential elements for development of mature musicianship in advanced
students. Myra Jackson Blair Scholarship students are expected to
participate in the program, and all students are encouraged to participate.
Formal admission to the program is contingent upon
a performance audition that meets departmental standards for the
“Intermediate” or “Advanced” level. The
private teacher’s recommendation is required for the student
to audition. Auditions are held during the performance examination
periods in December and April and are adjudicated by members of
the Certificate Program Council.
Responsibilities. Students are responsible
for knowing and fulfilling all requirements. The student should
keep a personal record of study and accomplishment to supplement
similar records being maintained by the private teacher and the
Certificate Program staff. The student’s private teacher is
the primary adviser throughout the program, selecting repertoire
suitable for study, ensuring that all major periods and styles are
covered, and determining when a student is qualified for the intermediate
and/or advanced audition. The Certificate Program Council determines
policies and standards, working closely with the entire faculty
in matters affecting the program.
Financial cost. There is no additional
fee for participation. Total cost to the student will be the regular
tuition for lessons, classes, and other regular fees.
Requirements. An overview of each
Certificate is outlined below. More detailed information (including
departmental standards; faculty, student, and council responsibilities;
progress record forms; and current dates) is available from the
Certificate Coordinator and in the main office.
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| Activity |
Requirement |
Certificate |
College Preparatory Certificate |
| Achievement in Lessons and Performance Class |
Instrumental or Vocal study while enrolled in Certificate Program |
2 Years Minimum participation (4 semesters) |
3 years minimum participation (6 semesters) |
| Audition ranking |
Achievement of "Advanced Level" rank by May of the junior year |
Achievement of "Advanced Level" rank by May of the junior year |
| Performance Class Participation |
Each semester enrolled in lessons |
Each semester enrolled in lessons |
| Solo Performance |
Student Recital Performance |
Once a year (Int.) Twice a year (Adv.) |
Once a year (Int.) Twice a year (Adv.) |
| Pre-Recital Hearing |
Sucesful completion required |
Sucesful completion required |
| Certificate Recital |
Minimum 20-minute public performance |
Minimum 30-minute public performance |
| Ensembles |
Large ensemble participation |
As Qualified |
As Qualified |
| Chamber Music |
N/A |
1 year minimum (2 semesters) and participation in a recital |
| Music Theory |
Successful completion of "T4" Level pre-college theory class |
Successful completion of "T6" Level pre-college theory class |
| Coursework |
Music History |
One year minimum (2 semesters) |
Two years minimum (4 semesters) |
| Recital Attendance |
Two faculty recitals or concerts per semester |
Two faculty recitals or concerts per semester |
| Grade Standards |
Minimum B- in class work and performance |
Minimum B+ in class work and performance |
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For a current listing of pre-college faculty, please
visit the website at www.vanderbilt.edu/blair/faculty/faculty_precoll.html
INDIVIDUAL PERFORMANCE INSTRUCTION
The Blair School of Music provides a programmed course
of study in individual instruction. Students must register for a
full semester of study. Individual instruction focuses on the art
and practice of an instrument or voice, with emphasis on tone quality,
technique, rhythm, interpretation, and literature.
GROUP INSTRUCTION/CLASSES
Designed primarily for beginning and intermediate
students, group instruction emphasizes basic technique, rhythm,
tone, and musical interpretation. By arrangement with the teacher,
group instruction is available in any instrument if a compatible
group can be established.
KinderMusik (Ages 0–6). This
nationally acclaimed music program is designed for children from
infancy to six years of age and their caregivers. Participants enjoy
singing, listening, dancing, interacting socially, and playing simple
instruments. The program offers a variety of classes and summer
camp classes, which focus on the child’s emotional development
as confidence, curiosity, self-control, and communication begin
to take shape. See the KinderMusik information on the Blair Web
site for complete schedules of classes.
New Horizons (Ages 4–6). This
class, for children ages four to six, is based on Kodaly and Orff
teaching concepts, which begin a child’s musical education
with his or her own natural instrument—the voice. Through
the use of solfege, movement, ear training, and art, children experience
very important steps toward musical literacy. In addition, emphasis
is placed on the recognition, both visual and aural, of orchestral
instruments and on the music and lives of major composers. The appropriate
age and skill level of the student is determined by the instructor.
Class meets in one 50-minute session weekly, in groups of 10–14
students, without their parents.
SUZUKI INSTRUCTION
(Ages 4 and up). Instruction using the Suzuki method
is available in violin and cello for children from the age of four.
Children develop musical ability and sensitivity, using the same
process of listening and imitation by which they learn their native
language. Suzuki students gain the poise necessary for performance
and learn to read music notation as they progress. It is essential
that parents attend each lesson and supervise home practice.
Suzuki Strings I. Beginning students
receive one 30-minute private lesson and one 30-minute weekly group
lesson.
Suzuki Strings II. One 30-minute
private lesson weekly and one 60-minute bi-weekly group lesson.
Suzuki Strings III. One 45-minute
private lesson weekly and one 60-minute bi-weekly group lesson.
.
Suzuki Strings IV. One 60-minute
private lesson weekly and one 60-minute bi-weekly group lesson.
Nashville Suzuki Reading Orchestra.
The Suzuki Reading Orchestra focuses on strengthening music-reading
skills of Suzuki students. This class also introduces fundamentals
of orchestral playing and music theory. This ensemble gives two
or three performances each season and meets for one 60-minute session
weekly. It is open to Suzuki and traditional students in Nashville
and surrounding areas by audition and recommendation of the private
instructor.
Cello Choir. The Blair Children’s
Cello Choir is a select group of advanced students from the Blair
Suzuki Cello Program. Rehearsals are held weekly to learn a variety
of works for cello ensemble and to polish Suzuki repertoire to a
high level of performance. Students who are studying at the Suzuki
Book 4 level are eligible to audition for the Cello Choir.
GROUP PIANO
(Ages 6 and up). The Blair School
offers several introductory piano classes geared to different age
levels. The Group Piano Program combines small peer group lessons
with one-on-one instruction. Children have the opportunity to share
successes and to assist each other with the learning process. Throughout
the program, parents attend lessons and supervise home practice.
Partner Piano I (First Year Beginners Only).
Includes 20-minute private lesson and 20-minute weekly group and
20-minute observation (or, at teacher discretion, 30-minute private
and 30-minute weekly group).
Students begin with a variety of singing and pre-reading
activities. Parental involvement is essential to beginner lessons;
parents normally attend all lessons and practice sessions. At the
conclusion of the first year, students should progress to Partner
Piano II, III, or IV.
Partner Piano II. Includes 30-minute
private and 30-minute weekly group (or 60-minute bi-weekly group).
Partner Piano III. Includes 45-minute
private and 30-minute weekly group (or 60-minute bi-weekly group).
Partner Piano IV. Includes 60-minute
private and 30-minute weekly group (or 60-minute bi-weekly group).
Elementary to intermediate students will develop a
conceptual understanding of the fundamentals of music: ear training,
improvisation, reading, singing, and technical training. Students
will be invited to participate in formal recitals at the conclusion
of each term.
More advanced students will continue to learn solo
repertoire and to develop performance skills, including technique,
sight-reading, keyboard improvisation, theory, and composition.
Group-only piano lessons are also available to young
students.
NON-ORCHESTRAL INSTRUMENTS
All offerings are contingent upon establishment
of a compatible group of adequate size.
Basic Fiddle (Ages 5 and up). Private
lessons for all levels of players. The appropriate age and skill
level of the student is determined by the instructor. Instruction
includes an introduction to various styles, such as Old-Time, Bluegrass,
Celtic and Texas Swing. Students also have opportunities to play
and learn in a group setting with others at a similar level. Ear
training and work with harmonization is included.
Advanced Fiddle. Designed for advanced
players. The appropriate age and skill level of the student is determined
by the instructor. Various styles of fiddle, from traditional Texas
style to the recording session experience are presented. Emphasis
is placed on ear training and improvisation, as well as on developing
versatility and one’s own style.
Mountain Dulcimer. Individual instruction
for all levels. The appropriate age and skill level of the student
is determined by the instructor. Historical styles and a firm foundation
in the basics of this unique zither are included with ear training
and harmonization emphasized. Students are involved in the selection
of music to be studied.
Beginning Mandolin. The appropriate
age and skill level of the student is determined by the instructor.
Individual instruction includes learning to read music and studying
the basics of mandolin technique. Emphasis is placed on playing
together and developing a repertoire of old-time fiddle tunes.
Advanced Mandolin. The appropriate
age and skill level of the student is determined by the instructor.
Individual instruction expands on fiddle tunes as a repertoire base
and develops other styles of mandolin including bluegrass, Celtic,
and original music. Prerequisite: A minimum of 2 to 3 years of experience
on the instrument.
Other Classes
Pre-College Accompanying. This course
introduces high school students to the art of accompanying and to
chamber music. Students study piano ensemble literature and participate
in weekly master classes with instrumentalists and singers. All
forms of piano ensemble literature are explored, including sonatas,
lieder, operatic repertoire, reductions, symphonic transcriptions,
and four-hand and two-piano works. Open to all high school pianists.
Classes meet 45 minutes weekly, Fall and Spring semesters.
Pre-College Music History. Music
History is designed to introduce high school students to the historical
development of music, with emphasis on socio-cultural influences
on music, the function of music, style and performance practice,
musical genre, and composers. The study consists of two year-long,
successive courses, offered beginning each Fall.
Pre-College Music Theory. The Blair
Pre-College Music Theory Program is a unique, integrated theory
experience, offering students an exciting range and depth of theory
options. Total beginners are welcome, as are advanced students who
are already working at college level.
Six self-paced theory courses are available, covering
fundamental theory knowledge and skills to college level harmony.
Personal interaction with faculty and university student assistants
and regular assessment through testing are integral to each student’s
individual development, knowledge, and understanding of course material.
Children and adults of all ages are welcome after
completing the required initial placement test. Call the main Blair
office at 322-7651 for placement test dates and faculty contact
information.
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For a listing of ensemble directors, please visit
the Web site at
www.vanderbilt.edu/blair/ensembles/ensembles_pre.html
BLAIR CHILDREN'S CHORUS PROGRAM
This tiered choral program is designed for children
grades one through twelve. The program develops vocal, listening,
reading, and ensemble skills. Admission to a higher-level choir
is determined by audition. Auditions are held on Saturdays from
10 a.m. to 2 p.m. each May and also during fall and spring registration
periods.
Children’s Concert Choir. This
advanced touring choir of girls in grades 7–12 performs twelve
to fourteen concerts per year, attends a fall music camp, and tours
for a week each summer. They have performed with the Nashville Symphony
multiple times. A high level of musicianship and commitment is required.
Blair Choristers. This intermediate-level
choir for girls in grades 5–8 performs regularly in the Nashville
area. This choir stresses vocal development, music reading, and
ensemble and performing skills.
Young Men’s Chorus. Boys whose
voices have changed or are changing are eligible for this chorus.
Vocal fundamentals and healthy singing through vocal change are
stressed, and the group performs several times each semester.
Nashville Boychoir at Blair. Boys
in this dynamic group enjoy exploring their vocal talents and learning
how to read music together. They perform several times each semester
in collaboration with other arts organizations, for community and
civic events, and at Blair. A pleasant, unforced vocal quality and
a love of singing are the most important attributes we seek in new
singers.
Young Singers of Blair. This beginning
choral ensemble is open to girls in grades three and above. This
choir stresses singing fundamentals, music reading, and musicianship
and has several performance opportunities during the year.
Preparatory Chorus. This beginning
choral ensemble is open to boys and girls in grades 1–3. This
choir stresses the healthy use of young voices. The basics of music
reading are taught through games and activities and a short concert
presented for parents at the end of the semester.
NASHVILLE YOUTH ORCHESTRA PROGRAM
The Nashville Youth Orchestra Program encompasses
seven student orchestras at five different levels of skill: the Curb
Youth Symphony, the Nashville Youth Repertory Orchestra, the Nashville
Youth Strings Orchestra (three sections), the Suzuki Reading Orchestra,
and the Beginning Reading Orchestra. All orchestras are open by
audition to students in Nashville and surrounding communities. Auditions
are scheduled during the last two weeks of August. Students
accepted for membership are encouraged to be in good standing in
their own school music organizations. Designed to reward and enhance
the efforts of music students, the program provides unique opportunities
for contact with orchestral literature and for performance with
professional coaches and conductors.
Audition schedule is online at www.vanderbilt.edu/blair/ensembles/ensembles_pre.html#youthorchprog.
Curb Youth Symphony. The CurbYouth Symphony
is the most advanced ensemble in the Nashville Youth Orchestra Program.
It performs standard orchestral literature in a three or four-concert
season. Monday evenings.
Nashville Youth Repertory Orchestra.
The Repertory Orchestra is a training orchestra that performs arrangements
of standard literature. The orchestra presents several concerts
each season. Tuesday evenings.
Nashville Youth Strings Orchestra (three sections).
The Youth Strings Orchestra provides training for young string students
who are able to read at least level one music and prepares them
for admittance into the Repertory Orchestra. This group gives two
or three concerts each season and meets for one 60-minute session
weekly. It is open to any string student in Nashville and the surrounding
area by audition and recommendation of the private instructor. Tuesday
evenings.
Suzuki Reading Orchestra. The Suzuki
Reading Orchestra focuses on strengthening music-reading skills
of Suzuki students studying violin, viola, and cello. This class
continues to develop music-reading skill and expangd knowledge of scales and music theory.
This ensemble gives two or three concerts each season and meets
for one 60-minute session weekly. It is open to Suzuki and traditional
students in Nashville and the surrounding area by audition and recommendation
of the private instructor. Thursday evenings.
Beginning Reading Orchestra. The
Beginning Reading Orchestra introduces fundamentals of orchestral
playing, music theory, and develops music-reading skills. Thursday
evenings.
OTHER ENSEMBLES
Chamber Music. The study and performance
of chamber music is open to students by audition or upon recommendation
of their private instructors. Woodwind, brass, percussion, string,
and mixed ensembles are available. Admission is based on interview
with ensemble director and contingent upon available space in the
ensemble. Formation of a chamber music ensemble is contingent upon
establishment of a compatible group of adequate size.
Blair Suzuki Players. Suzuki students
recommended by their private teachers are selected by audition for
participation in this group. The Blair Suzuki Players perform at
Blair and also for functions outside the school. Admission is based
on interview with ensemble director and contingent upon room in
the ensemble. One 90-minute rehearsal weekly.
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Click here for current application
Scholarship auditions are held each spring and are
adjudicated by faculty committees. Honor and need-based scholarships
are available, covering full and partial tuition for private instruction
and, in some cases, classes in music history and/or music theory
during the academic year. Scholarship applications are available
in the main office at Blair and on the Blair Web site at www.vanderbilt.edu/blair.
Please check the current application for deadline dates.
Myra Jackson Blair Scholarships.
These honor scholarships are awarded annually by Blair School of
Music to outstanding high school students who have been recommended
by their teachers and who plan careers in music. Auditions, held
each spring, are adjudicated by faculty committees. Scholarships
cover academic-year tuition for private instruction and, in some
cases, classes in music theory and ear training and in music history
and literature. Students must maintain at least a “B”
average in each subject, perform in recital, and attend at least
two faculty concerts each semester. Scholarship students are also
expected to participate in the Certificate Program. Pianists are
expected to take an accompanying class each semester, and eligible
instrumentalists are required to audition for the Nashville Youth
Orchestra Program.
Blair Guild Scholarships. These scholarships
are awarded annually to pre-college students who show a strong interest
and ability in music, who have been recommended by their teachers,
and who need financial assistance. Scholarships cover partial tuition
for private instruction and class instruction in music theory and
ear training during the academic year. Students must maintain a
“B” average in each subject, perform in recital each
year, and attend at least two faculty concerts each semester. Eligible
instrumentalists are encouraged to participate in the Nashville
Youth Orchestra Program and the Certificate Program.
The Blair Guild Fiddle Scholarships.
Established in 1995 by the Blair Guild, in appreciation of Mark
O’Connor’s generous involvement with Faux Gras, the
Guild’s annual benefit concert.
Potter Pre-College Scholarship. Established
in 1994 by the Potter Foundation, these scholarships are based upon
demonstrated financial need and significant talent and accomplishment.
They provide partial tuition for private instruction and may be
awarded on the basis of an audition with Blair faculty or, in some
cases, upon the recommendation of an outside teacher. Some Potter
awards are made to members of the Blair Children’s Chorus
and of the Nashville Youth Orchestra Program, at the recommendation
of the faculty.
Nashville Youth Orchestra Scholarships.
Full and partial scholarships for private instruction are available
to members of the Nashville Youth Orchestra Program. Scholarships
are based on the need for financial assistance and/or the needs
of the program. Auditions are held in the fall concurrently with
orchestra auditions.
Double Reed Scholarships. Awarded
in the fall semester to students of oboe or bassoon, these need-based
scholarships provide one-half tuition for private instruction.
Gilbert Memorial Scholarship. Established
in 1998 in memory of Douglas A. Gilbert, former Blair clarinet student,
and his father, Robert J. Gilbert, a lifetime clarinet player and
Blair supporter, this scholarship provides partial tuition for a
clarinet student with at least one year of study at the Blair School.
Mary McClure Hotchkiss Scholarship.
Established in 1987 by the will of Coleman A. Harwell in memory
of his aunt, a distinguished pianist and teacher and a native of
Lewisburg, Tennessee, this scholarship provides a partial tuition
award each semester. Preference is given to a piano student.
David Mazanec Memorial Scholarship.
Established in memory of David Mazanec, former Suzuki student, this
need-based scholarship provides partial tuition for Suzuki violin
and cello students in Book 4 or above. Students are eligible to
apply after one year of participation in the Suzuki program at Blair.
William H. Moennig Memorial Scholarship.
Established in 1986 by the family and friends of Mr. Moennig, this
scholarship provides partial tuition for private instruction to
talented pre-college string students.
Samuel E. Stumpf, Sr. Trumpet Scholarship.
Established in 1998 in memory of Dr. Samuel E. Stumpf, Sr., by his
family and friends, this endowed scholarship provides tuition for
students who are serious about their musical endeavors.
Amelie Throne Scholarship. Established
in 1989 through a bequest from Elizabeth Binford Bergner, this scholarship
provides partial tuition each semester for a piano student.
Jacqueline and Morris Wachs Scholarship for
Piano and Strings. Established in 2001 by Morris Wachs
and family, this scholarship is awarded annually to deserving piano
and string students for study at Blair. Scholarships cover partial
tuition for private instruction during the academic year.
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