- Shape of Flight, an exhibition by Suzanne Stryk to open Feburary 26, 2015
- Vanderbilt University's Department of Art and Cinema and Media Arts welcomes Asma Kazmi
- Space 204: Erin Harmon: Forest for the Trees
- Space 204: Hanna Rodgers: Abandon/Perception
- Past Exhibitions and Events
Vanderbilt’s Department of Art is pleased to welcome an exhibition by Suzanne Stryk into Space 204. Shape of Flight will be on display from Thursday, February 26 to Friday, March 19 from 10 a.m. to 4 p.m. An opening reception will be held Thursday, February 19 from 4 to 6 p.m.
In the title of this exhibit, “Shape of Flight,” both the words “shape” and “flight” have so many possible interpretations. There’s the obvious one, the actual flight of birds and insects. But the images in this show are a layering of many ideas related to “shape” and “flight.” “Shape” suggests the form things take in both the natural world and the human imagination, even art itself. “Flight” suggests ideas about movement, and that movement is not only in space, but also in time, even evolutionary time. Or the span between birth to life to death. It might also suggest movement from out-of-doors to indoors—from nature into our own spaces or minds.
Stryk's series of drawings, "Genomes and Daily Observation, appears in the Viewing Program at the Drawing Center (NYC); her work was also selected for Clara: The Database of Women Artists at the National Museum of Women in the Arts in DC. She is the recipient of a George Sugarman Foundation Grant, a Virginia Center for the Creative Arts Fellowship, and an individual Artist's Fellowship from the Virginia Commission for the Arts. To learn more about the artist, please visit www.suzannestryk.com.
Public Lecture: Ordinary People and Other Works, February 6, 2015, Wilson Hall 126, 4:00 – 5:00 pm on the Vanderbilt University campus.
(Free and open to the public)
On Saturday, February 7, 2015 – Exhibition Reception at the Coop Gallery, 75 Arcade, Nashville, TN 37219 (6:00 – 9:00 pm)
For more information contact: Jana Harper
Asma Kazmi is a visual artist who creates transdisciplinary, relational works where people, media, and objects come together. She is the recipient of many awards including the Fulbright Research Award, (CIES) to India; Faculty Research Grant, CalArts; the Great Rivers Biennial by the Contemporary Art Museum St. Louis; Rocket Grant, the Charlotte Street Foundation and the Spencer Museum of Art at Kansas University; At the Edge: Innovative Art in Chicago Award, the University of Illinois in Chicago; and the Creative Stimulus Award, Critical Mass for the Visual Arts, St. Louis. Kazmi has exhibited at venues such as the Taubman Museum of Art, Roanoke, VA; Utah Museum of Contemporary Art, Salt Lake City; Queens Museum of Art, NY; Worth Ryder Gallery, UC Berkeley; Contemporary Art Museum, St. Louis; H&R Block Space, Kansas City; Grand Arts, Kansas City; University of Missouri, St. Louis; Hunt Gallery, Webster University, St Louis; Boots Contemporary Art Space, St Louis; The Guild Gallery, New York; Galerie Sans Titre, Brussels, Belgium; and Gallery 400, University of Illinois in Chicago. Kazmi has taught at the School of the art Institute of Chicago, Kansas City Art Institute, and the University of California, Berkeley. Currently, she is a permanent faculty at the California Institute of the Arts. She was born and raised in Karachi, Pakistan. Co-sponsored by Vanderbilt University Departments of Art and Cinema and Media Arts. Exhibition of Ordinary People at COOP Gallery, 75 Arcade, Nashville, TN.
Vanderbilt University's Department of Art is pleased to announce the opening of a new exhibit in the Space 204 gallery. Erin Harmon: Forest for the Trees will open on January 15 and continue through February 12, 2015. Open reception will be held on January 15, 2015 from 4:00 – 6:00 pm. Space 204 is located at 25th Avenue South at Garland in the E. Bronson Ingram Studio Arts Center on the Vanderbilt campus. All exhibits are free and open to the public.
Erin Harmon was raised in the suburbs of Southern California where the natural desert is sated by hundreds of miles of aqueducts to produce obsessively groomed lawns. After graduating from San Diego State University with a Bachelors degree in Studio Art, she received her MFA in Painting from Rhode Island School of Design. Erin currently lives in the verdant and fecund Tennessee Delta where kudzu and coal sludge can swallow everything in their path. She is Associate Professor of Art at Rhodes College and Chair of the Department of Art & Art History. Erin has exhibited her work nationally in both group and solo exhibitions including the Sarah Doyle Gallery, Providence RI; Atlanta Artists Center & Gallery, GA; and The Brooks Museum, Memphis, TN. She is also a founding member of TSA LA, an artists’ run and curated gallery modeled after Tiger Strikes Asteroid in Philadelphia. Last fall, Erin was excited to debut her first theatrical set design for Ballet Memphis’ River Project: Moving Currents.
My work is inherently landscape but rather than wild and continuous natural environments, I explore contained collections of fragments that when arranged together, allude to another kind landscape. These collages and paintings are consciously ordered and orchestrated, and ultimately removed from nature. My process often consists of trimming, grooming and pruning shape and pattern into abstracted pieces that are collaged into a discrete space to appear as a whole. In both the paintings and collages, formal choices of shape, color, scale, and speed generate tensely jubilant, stunted surfaces and ambiguous spaces. I am influenced by my observed environment, bonsai trees and ikebana, classic Disney movies, black light posters, and Victorian valentines.
Vanderbilt University's Department of Art is pleased to announce the opening of a new exhibit in the Space 204 gallery. Hanna Rodgers: Abandon/Perception will open on January 15 and continue through February 12, 2015. Open reception will be held on January 15, 2015 from 4:00 – 6:00 pm. Space 204 is located at 25th Avenue South at Garland in the E. Bronson Ingram Studio Arts Center on the Vanderbilt campus. All exhibits are free and open to the public.
Hanna Rodgers is an artist and writer based out of Los Angeles, CA.
A child of the 90s, Rodgers was born and raised in Collierville, TN. For much of her life, her father ran an ill-fated amusement park in Memphis called “Libertyland.” Her mother worked at a Broadway theater. Both influences would instill in Rodgers a passion for playfulness and theatrically that pervade much of her work today.
Rodgers received her B.A in Studio Art from Vanderbilt University in May of 2013. After graduating, she was commissioned to spend six months producing a documentary in Memphis. Upon it’s completion, she packed her bags and moved to the west coast to pursue her writing and art in the cultural mecca of the City of Angels.
Rodgers was the recipient of the 2013 Margaret Stonewall Woolridge Hamblet Award, a grant that has been a phenomenal asset in this past year of self-discovery, giving Rodgers the freedom to experiment with new mediums, to attend interactive art conferences, and to visit museums and galleries across the country. This year of exploration has culminated in the body of work presented in Abandon/Perception.
My work is driven by my curiosity for people and the shared human experience. I take interest both in the Jungian archetypal events that define a lifetime, and in the uncertain, transitional lulls between those moments.
My work is highly introspective. Much of it references memories of my adolescence and that fantastic childhood sense of limitlessness that inevitably falls victim to age’s power of petrification. I explore my memories through fantasy, children’s games, and illusion. I enjoy manipulating the shortcomings, trends, and nuances of the human brain as it relates to the different ways we view the world. This often leads to an exploration of the difference in seeing versus perceiving.
Through my work, I seek to reveal dualities in a grey world. As a writer, I often rely heavily on language to express these contradictions. My work is influenced by literature, cinema, and other reflections of modern storytelling, which I believe preserve time and reflect the zeitgeist.
And most of all, through my work, I appease my curiosities. I often explore new mediums and methods of provoking interaction with my work. I despise the static conception of art as something to be contemplated by a detached audience. I enjoy the madcap, the surprise of materials interacting in an unexpected way. For me, art is all about the act of creating. If I don’t continuously try to learn new things, then what is the point?