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photo
Childe Hassam, American, 1859-1935
The Skyscraper Window, 1923
Oil on canvas
59-1/4" x 47-1/4"
Peabody College Collection, Vanderbilt University
1979.228P

photo
Grant Wood, American, 1892-1942
The Family Doctor, 1941
Lithograph
10" x 11-7/8"
The Anna C. Hoyt Collection, Vanderbilt University
1957.044

photo
Jim Dine, American, b. 1935
from Biotherm, by Frank O'Hara, 1990
Lithograph
22" x 15"
Published by the Arion Press,
San Francisco
Purchased through funds provided by the Ewers Gift for Fine Arts
1994.539
Courtesy Arion Press
American Art at Vanderbilt

European Art | Egyptian, Etruscan, & Greek Art | Asian Art | African, Pre-Columbian, & Oceanic Art | Kress Study Collection

The study of American artists, whose significance was once overshadowed by their European counterparts, has developed into a dynamic and popular branch of art history. The collection of American art at Vanderbilt remains one of the strongest areas of the university's holdings and provides a broad portrait of nineteenth- and twentieth-century stylistic movements. Those Americans represented in the collection include some of the most influential and well-known artists of the past two centuries.

Vanderbilt's nineteenth-century painting collection includes an oil painting by Jasper Cropsey, works created by a member of the American Impressionist movement, Childe Hassam, and the Barbizon-influenced landscape painter George Inness. The nineteenth century is also represented with a painting by William Merritt Chase, considered to be the most important teacher of his generation, whose students included Charles Demuth, Georgia O'Keeffe, and Charles Sheeler. The collection also includes The Picnic, Vermont by Milton Avery.

While the university owns a relatively small number of American paintings, the extensive holdings in nineteenth- and twentieth-century works on paper assist in illustrating the diversity of artistic movements that define American art. Significant painters and printmakers such as Mary Cassatt and James McNeill Whistler, both included in the collection, executed works that fully exploited and expanded the medium of printmaking. Furthermore, such modern masters as Regionalists John Steuart Curry and Grant Wood; Dadaist Man Ray; Abstract Expressionists Adolph Gottlieb, Robert Motherwell, and Lee Krasner; Pop artist Roy Lichtenstein; Minimalist Ad Reinhardt; as well as others, serve to present a unique view of the diversity and inventiveness of American artistic production.

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