
![]() Childe Hassam, American, 1859-1935 The Skyscraper Window, 1923 Oil on canvas 59-1/4" x 47-1/4" Peabody College Collection, Vanderbilt University 1979.228P ![]() Grant Wood, American, 1892-1942 The Family Doctor, 1941 Lithograph 10" x 11-7/8" The Anna C. Hoyt Collection, Vanderbilt University 1957.044 ![]() Jim Dine, American, b. 1935 from Biotherm, by Frank O'Hara, 1990 Lithograph 22" x 15" Published by the Arion Press, San Francisco Purchased through funds provided by the Ewers Gift for Fine Arts 1994.539 Courtesy Arion Press |
American Art at Vanderbilt European Art | Egyptian, Etruscan, & Greek Art | Asian Art | African, Pre-Columbian, & Oceanic Art | Kress Study Collection The study of American artists, whose significance was once overshadowed by their European counterparts, has developed into a dynamic and popular branch of art history. The collection of American art at Vanderbilt remains one of the strongest areas of the university's holdings and provides a broad portrait of nineteenth- and twentieth-century stylistic movements. Those Americans represented in the collection include some of the most influential and well-known artists of the past two centuries. Vanderbilt's nineteenth-century painting collection includes an oil painting by Jasper Cropsey, works created by a member of the American Impressionist movement, Childe Hassam, and the Barbizon-influenced landscape painter George Inness. The nineteenth century is also represented with a painting by William Merritt Chase, considered to be the most important teacher of his generation, whose students included Charles Demuth, Georgia O'Keeffe, and Charles Sheeler. The collection also includes The Picnic, Vermont by Milton Avery. While the university owns a relatively small number of American paintings, the extensive holdings in nineteenth- and twentieth-century works on paper assist in illustrating the diversity of artistic movements that define American art. Significant painters and printmakers such as Mary Cassatt and James McNeill Whistler, both included in the collection, executed works that fully exploited and expanded the medium of printmaking. Furthermore, such modern masters as Regionalists John Steuart Curry and Grant Wood; Dadaist Man Ray; Abstract Expressionists Adolph Gottlieb, Robert Motherwell, and Lee Krasner; Pop artist Roy Lichtenstein; Minimalist Ad Reinhardt; as well as others, serve to present a unique view of the diversity and inventiveness of American artistic production. Back to Fine Arts Gallery Collections screen
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